Eisagoge eis to Theoretikon kai Praktikon tes Ekklisiastikes Mousikes

E738077

Eisagoge eis to Theoretikon kai Praktikon tes Ekklisiastikes Mousikes is a foundational 19th-century treatise that systematically presents the theory and practice of Byzantine ecclesiastical music.

All labels observed (2)

How this entity was disambiguated

Statements (31)

Predicate Object
instanceOf Byzantine music treatise ⓘ
music treatise ⓘ
theoretical work ⓘ
aimsTo systematize Byzantine ecclesiastical music ⓘ
associatedWith Orthodox liturgical tradition ⓘ
countryOfOrigin Greece ⓘ
covers practical aspects of chant performance ⓘ
theoretical aspects of chant ⓘ
describedAs foundational treatise ⓘ
documentType scholarly treatise ⓘ
field Byzantine studies ⓘ
musicology ⓘ
focusesOn practice of Byzantine ecclesiastical music ⓘ
theory of Byzantine ecclesiastical music ⓘ
genre liturgical music ⓘ
music theory ⓘ
historicalPeriod modern Greek music theory ⓘ
intendedAudience cantors ⓘ
students of Byzantine music ⓘ
language Greek ⓘ
mainSubject Byzantine ecclesiastical music ⓘ
music practice ⓘ
music theory ⓘ
publicationCentury 19th century ⓘ
religiousTradition Eastern Orthodox Church ⓘ
scope systematic presentation of Byzantine ecclesiastical music ⓘ
titleTranslation Introduction to the Theoretical and Practical [Aspects] of Ecclesiastical Music ⓘ
tradition Byzantine chant ⓘ
typeOfWork didactic text ⓘ
usedIn study of Byzantine chant notation ⓘ
training of church musicians ⓘ

How these facts were elicited

Referenced by (2)

Full triples — surface form annotated when it differs from this entity's canonical label.

Chrysanthos of Madytos → wrote → Eisagoge eis to Theoretikon kai Praktikon tes Ekklisiastikes Mousikes ⓘ
Eisagoge eis to Theoretikon kai Praktikon tes Ekklisiastikes Mousikes → titleTranslation → Introduction to the Theoretical and Practical [Aspects] of Ecclesiastical Music ⓘ
linked to: Eisagoge eis to Theoretikon kai Praktikon tes Ekklisiastikes Mousikes