Self-Portrait in Tuxedo
E358706
Self-Portrait in Tuxedo is a 1927 painting by German artist Max Beckmann, renowned for its stark, confrontational depiction of the artist that exemplifies the New Objectivity movement.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Self-Portrait in Tuxedo canonical | 3 |
| Selbstbildnis im Smoking | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T3463572 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Self-Portrait in Tuxedo Context triple: [Max Beckmann, notableWork, Self-Portrait in Tuxedo]
-
A.
Self-Portrait at Twenty-Eight
Self-Portrait at Twenty-Eight is a famous 1500 oil painting by German Renaissance artist Albrecht Dürer, renowned for its frontal, Christ-like depiction of the artist and its meticulous detail.
-
B.
Self-Portrait with Physalis
Self-Portrait with Physalis is a 1912 painting by Austrian Expressionist artist Egon Schiele, known for its intense psychological depth and distinctive, angular style.
-
C.
Self-Portrait at the Easel
Self-Portrait at the Easel is a self-depicting painting by Finnish artist Akseli Gallen-Kallela that reflects his role in the rise of Finnish national art at the turn of the 20th century.
-
D.
Self-Portrait with Bandaged Ear
Self-Portrait with Bandaged Ear is a famous 1889 painting by Vincent van Gogh depicting himself after mutilating his ear, often interpreted as a powerful reflection of his psychological turmoil and artistic intensity.
-
E.
Self-Portrait with Family
Self-Portrait with Family is a Baroque-era group portrait painting by French artist Nicolas de Largillière depicting himself alongside members of his family.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Self-Portrait in Tuxedo Target entity description: Self-Portrait in Tuxedo is a 1927 painting by German artist Max Beckmann, renowned for its stark, confrontational depiction of the artist that exemplifies the New Objectivity movement.
-
A.
Self-Portrait at Twenty-Eight
Self-Portrait at Twenty-Eight is a famous 1500 oil painting by German Renaissance artist Albrecht Dürer, renowned for its frontal, Christ-like depiction of the artist and its meticulous detail.
-
B.
Self-Portrait with Physalis
Self-Portrait with Physalis is a 1912 painting by Austrian Expressionist artist Egon Schiele, known for its intense psychological depth and distinctive, angular style.
-
C.
Self-Portrait at the Easel
Self-Portrait at the Easel is a self-depicting painting by Finnish artist Akseli Gallen-Kallela that reflects his role in the rise of Finnish national art at the turn of the 20th century.
-
D.
Self-Portrait with Bandaged Ear
Self-Portrait with Bandaged Ear is a famous 1889 painting by Vincent van Gogh depicting himself after mutilating his ear, often interpreted as a powerful reflection of his psychological turmoil and artistic intensity.
-
E.
Self-Portrait with Family
Self-Portrait with Family is a Baroque-era group portrait painting by French artist Nicolas de Largillière depicting himself alongside members of his family.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
painting
ⓘ
self-portrait ⓘ |
| artForm | easel painting ⓘ |
| artisticStyle | New Objectivity ⓘ |
| cataloguedAs | one of Beckmann’s most famous self-portraits ⓘ |
| collection |
Kunsthalle Hamburg collection
ⓘ
linked to:
Hamburger Kunsthalle
|
| colorPalette |
dark tones
ⓘ
muted colors ⓘ |
| countryOfOrigin | Germany ⓘ |
| creator | Max Beckmann ⓘ |
| depicts |
Max Beckmann
ⓘ
bow tie ⓘ cigarette ⓘ dark jacket ⓘ formal attire ⓘ interior setting ⓘ short hair ⓘ white shirt ⓘ |
| depictsClothing | tuxedo ⓘ |
| depictsGesture |
direct gaze at viewer
ⓘ
hand in pocket ⓘ |
| describedAs |
confrontational
ⓘ
stark ⓘ |
| genre | portrait painting ⓘ |
| hasArtHistoricalSignificance |
key work of New Objectivity portraiture
ⓘ
major self-portrait of Max Beckmann ⓘ |
| hasInfluenceOn | interpretations of artist’s public persona ⓘ |
| inception | 1927 ⓘ |
| languageOfOriginalTitle | German ⓘ |
| languageOfTitle | English ⓘ |
| location |
Kunsthalle Hamburg
ⓘ
linked to:
Hamburger Kunsthalle
|
| mainSubject | standing male figure ⓘ |
| medium | oil paint ⓘ |
| movement | New Objectivity ⓘ |
| notableFor |
emphatic outline of figure
ⓘ
flattened space ⓘ sharp contours ⓘ |
| originalLanguage | German ⓘ |
| originalTitle |
Selbstbildnis im Smoking
ⓘ
linked to:
Self-Portrait in Tuxedo
|
| partOf |
Max Beckmann self-portrait series
ⓘ
linked to:
Max Beckmann
|
| period |
Weimar Republic era
ⓘ
linked to:
Weimar Republic
|
| theme |
modern identity
ⓘ
psychological intensity ⓘ self-representation ⓘ |
| title | Self-Portrait in Tuxedo ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Self-Portrait in Tuxedo Description of subject: Self-Portrait in Tuxedo is a 1927 painting by German artist Max Beckmann, renowned for its stark, confrontational depiction of the artist that exemplifies the New Objectivity movement.
Referenced by (4)
Full triples — surface form annotated when it differs from this entity's canonical label.