J. S. Bach’s Cantata BWV 150
E946933
J. S. Bach’s Cantata BWV 150 is an early sacred cantata for choir and instruments, notable for its expressive baroque counterpoint and spiritual depth.
All labels observed (1)
| Label | Occurrences |
|---|---|
| J. S. Bach’s Cantata BWV 150 canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T11793213 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: J. S. Bach’s Cantata BWV 150 Context triple: [Symphony No. 4 in E minor, Op. 98, inspiredBy, J. S. Bach’s Cantata BWV 150]
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A.
Cantata VI
Cantata VI is the sixth and final cantata of Johann Sebastian Bach’s Christmas Oratorio, composed for the Feast of Epiphany and celebrating the visit of the Magi.
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B.
C major (BWV 1005)
C major (BWV 1005) is the key of Johann Sebastian Bach’s Sonata No. 3 for solo violin, a cornerstone of the Sonatas and Partitas noted for its monumental fugue and expressive depth.
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C.
Bach: Music in the Castle of Heaven
Bach: Music in the Castle of Heaven is a comprehensive biographical and analytical study of Johann Sebastian Bach and his music, written by conductor and Bach specialist John Eliot Gardiner.
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D.
Cantata IV
Cantata IV is one of the six cantatas that make up Johann Sebastian Bach’s Christmas Oratorio, performed as part of the liturgical celebrations during the Christmas season.
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E.
Fugue in C major, BWV 846
Fugue in C major, BWV 846 is Johann Sebastian Bach’s opening fugue from Book I of The Well-Tempered Clavier, renowned for its clarity, contrapuntal craftsmanship, and foundational role in keyboard repertoire.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: J. S. Bach’s Cantata BWV 150 Target entity description: J. S. Bach’s Cantata BWV 150 is an early sacred cantata for choir and instruments, notable for its expressive baroque counterpoint and spiritual depth.
-
A.
Cantata VI
Cantata VI is the sixth and final cantata of Johann Sebastian Bach’s Christmas Oratorio, composed for the Feast of Epiphany and celebrating the visit of the Magi.
-
B.
C major (BWV 1005)
C major (BWV 1005) is the key of Johann Sebastian Bach’s Sonata No. 3 for solo violin, a cornerstone of the Sonatas and Partitas noted for its monumental fugue and expressive depth.
-
C.
Bach: Music in the Castle of Heaven
Bach: Music in the Castle of Heaven is a comprehensive biographical and analytical study of Johann Sebastian Bach and his music, written by conductor and Bach specialist John Eliot Gardiner.
-
D.
Cantata IV
Cantata IV is one of the six cantatas that make up Johann Sebastian Bach’s Christmas Oratorio, performed as part of the liturgical celebrations during the Christmas season.
-
E.
Fugue in C major, BWV 846
Fugue in C major, BWV 846 is Johann Sebastian Bach’s opening fugue from Book I of The Well-Tempered Clavier, renowned for its clarity, contrapuntal craftsmanship, and foundational role in keyboard repertoire.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
church cantata
ⓘ
sacred vocal composition ⓘ |
| approximateCompositionDate |
circa 1707
ⓘ
circa 1708 ⓘ |
| approximateDuration | about 20 minutes ⓘ |
| biblicalTextUsed |
Psalm 25:15
ⓘ
Psalm 25:16 ⓘ Psalm 25:17 ⓘ Psalm 25:1–2 ⓘ Psalm 25:22 ⓘ |
| catalogNumber | BWV 150 ⓘ |
| composer | Johann Sebastian Bach ⓘ |
| genre |
church music
ⓘ
sacred cantata ⓘ |
| hasCounterpoint | prominent ⓘ |
| hasSpiritualCharacter | true ⓘ |
| historicalSignificance | one of Bach’s earliest surviving church cantatas ⓘ |
| instrumentation |
basso continuo
ⓘ
strings ⓘ |
| keyCharacteristic | minor-mode emphasis ⓘ |
| language | German ⓘ |
| liturgicalUse | church service ⓘ |
| movementType |
aria
ⓘ
chorale-like closing ⓘ chorus ⓘ duet ⓘ |
| notableMovement | final chaconne-like movement ⓘ |
| numberOfMovements | 7 ⓘ |
| period | Baroque ⓘ |
| placeOfComposition | Mühlhausen ⓘ |
| religiousTradition | Lutheran ⓘ |
| scoring |
choir
ⓘ
orchestra ⓘ solo voices ⓘ |
| styleCharacteristic |
expressive baroque counterpoint
ⓘ
imitative polyphony ⓘ text painting ⓘ |
| subjectMatter |
deliverance from distress
ⓘ
supplication ⓘ trust in God ⓘ |
| textAuthor | unknown poet ⓘ |
| textLanguage | German ⓘ |
| textSource | Psalm 25 ⓘ |
| title | Nach dir, Herr, verlanget mich ⓘ |
| vocalForces |
SATB choir
ⓘ
vocal soloists ⓘ |
| workNumberingSystem |
Bach-Werke-Verzeichnis
ⓘ
linked to:
BWV (Bach-Werke-Verzeichnis)
|
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: J. S. Bach’s Cantata BWV 150 Description of subject: J. S. Bach’s Cantata BWV 150 is an early sacred cantata for choir and instruments, notable for its expressive baroque counterpoint and spiritual depth.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.