Symphony No. 1

E938016

Symphony No. 1 is the designation typically given to a composer’s first completed symphonic work, often marking an important early milestone in their orchestral output.

All labels observed (1)

Label Occurrences
Symphony No. 1 canonical 4

How this entity was disambiguated

Statements (49)

Predicate Object
instanceOf musical work designation ⓘ
symphony title ⓘ
appliesTo orchestral compositions ⓘ
associatedWith classical music ⓘ
orchestral music ⓘ
contrastsWith Symphony No. 2 ⓘ
Symphony No. 3 ⓘ
denotes first symphony in a composer’s catalog ⓘ
hasForm symphony ⓘ
hasNotableExample Beethoven’s Symphony No. 1 in C major, Op. 21 ⓘ
Brahms’s Symphony No. 1 in C minor, Op. 68 ⓘ
Bruckner’s Symphony No. 1 in C minor ⓘ
Mahler’s Symphony No. 1 in D major ⓘ
Mendelssohn’s Symphony No. 1 in C minor, Op. 11 ⓘ
Prokofiev’s Symphony No. 1 in D major, Op. 25 "Classical" ⓘ
Schumann’s Symphony No. 1 in B-flat major, Op. 38 "Spring" ⓘ
Shostakovich’s Symphony No. 1 in F minor, Op. 10 ⓘ
Sibelius’s Symphony No. 1 in E minor, Op. 39 ⓘ
Tchaikovsky’s Symphony No. 1 in G minor, Op. 13 "Winter Daydreams" ⓘ
hasTitlePattern "Symphony No. 1 in [key], Op. [number]" ⓘ
hasTypicalInstrumentation symphony orchestra ⓘ
implies beginning of a symphonic cycle ⓘ
early milestone in a composer’s career ⓘ
isCataloguedIn composer’s list of works ⓘ
isComposedBy Anton Bruckner ⓘ
Dmitri Shostakovich ⓘ
Felix Mendelssohn ⓘ
Franz Mahler (Gustav Mahler’s Symphony No. 1 is often called "Titan") ⓘ
Gustav Mahler ⓘ
Jean Sibelius ⓘ
Johannes Brahms ⓘ
Ludwig van Beethoven ⓘ
Pyotr Ilyich Tchaikovsky ⓘ
Robert Schumann ⓘ
Sergei Prokofiev ⓘ
isNumberedBy ordinal number 1 ⓘ
isPerformedBy symphony orchestras worldwide ⓘ
isRecordedBy classical record labels ⓘ
mayBe a professional debut work ⓘ
a student work ⓘ
mayInclude finale in fast tempo ⓘ
four movements ⓘ
minuet or scherzo ⓘ
slow second movement ⓘ
sonata-form first movement ⓘ
namingConventionIn Western classical music ⓘ
oftenMarks composer’s first large-scale orchestral achievement ⓘ
transition from apprenticeship to maturity ⓘ
usedFor labeling a composer’s first completed symphony ⓘ

How these facts were elicited

Referenced by (4)

Full triples — surface form annotated when it differs from this entity's canonical label.