Symphony No. 5
E90265
Symphony No. 5 is a contemporary orchestral work by American composer John Harbison, reflecting his modern yet accessible style and contribution to late-20th-century symphonic repertoire.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Symphony No. 5 canonical | 3 |
How this entity was disambiguated
This entity first appeared as the object of triple T713280 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Symphony No. 5 Context triple: [John Harbison, notableWork, Symphony No. 5]
-
A.
Symphony No. 5 in C minor, Op. 67
Symphony No. 5 in C minor, Op. 67 is one of Ludwig van Beethoven’s most famous and influential symphonies, renowned for its iconic four-note opening motif and its powerful, dramatic progression from darkness to triumph.
-
B.
Symphony No. 9 in D minor, Op. 125
Symphony No. 9 in D minor, Op. 125 is Beethoven’s monumental final symphony, renowned for its choral finale setting Schiller’s “Ode to Joy” and its profound influence on Western classical music.
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C.
Symphony No. 3
Symphony No. 3 is a large-scale orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
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D.
Symphony No. 4
Symphony No. 4 is a contemporary orchestral work by American composer John Harbison, reflecting his characteristically intricate textures and modern harmonic language.
-
E.
Symphony No. 2
Symphony No. 2 is an orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Symphony No. 5 Target entity description: Symphony No. 5 is a contemporary orchestral work by American composer John Harbison, reflecting his modern yet accessible style and contribution to late-20th-century symphonic repertoire.
-
A.
Symphony No. 5 in C minor, Op. 67
Symphony No. 5 in C minor, Op. 67 is one of Ludwig van Beethoven’s most famous and influential symphonies, renowned for its iconic four-note opening motif and its powerful, dramatic progression from darkness to triumph.
-
B.
Symphony No. 9 in D minor, Op. 125
Symphony No. 9 in D minor, Op. 125 is Beethoven’s monumental final symphony, renowned for its choral finale setting Schiller’s “Ode to Joy” and its profound influence on Western classical music.
-
C.
Symphony No. 3
Symphony No. 3 is a large-scale orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
-
D.
Symphony No. 4
Symphony No. 4 is a contemporary orchestral work by American composer John Harbison, reflecting his characteristically intricate textures and modern harmonic language.
-
E.
Symphony No. 2
Symphony No. 2 is an orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
contemporary classical composition
ⓘ
orchestral work ⓘ symphony ⓘ |
| basedOnTextBy |
Czesław Miłosz
ⓘ
Louise Glück ⓘ Rainer Maria Rilke ⓘ William Carlos Williams ⓘ |
| belongsTo | symphonies by John Harbison ⓘ |
| catalogueNumber | Harbison Symphony No. 5 ⓘ |
| commissionedBy | Boston Symphony Orchestra ⓘ |
| composer | John Harbison ⓘ |
| composerFullName |
John Harris Harbison
ⓘ
linked to:
John Harbison
|
| composerNationality | American ⓘ |
| compositionForm | symphonic song cycle ⓘ |
| countryOfOrigin |
United States
ⓘ
linked to:
United States of America
|
| dedicatedTo | James Levine ⓘ |
| followedBy | Symphony No. 6 (Harbison) ⓘ |
| genre |
contemporary classical music
ⓘ
orchestral music ⓘ |
| hasInstrumentation | orchestra and two vocal soloists ⓘ |
| hasPart |
baritone solo
ⓘ
brass section ⓘ mezzo-soprano solo ⓘ percussion section ⓘ string orchestra ⓘ woodwind section ⓘ |
| intendedFor | concert performance ⓘ |
| language | English ⓘ |
| movement |
I. Lento
ⓘ
II. Presto ⓘ III. Grave ⓘ IV. Allegro ⓘ |
| notableFor |
integration of vocal soloists into symphonic texture
ⓘ
use of contemporary poetry ⓘ |
| partOf | late-20th-century symphonic repertoire ⓘ |
| period | late 20th century ⓘ |
| precededBy | Symphony No. 4 (Harbison) ⓘ |
| premiereConductor | James Levine ⓘ |
| premiereEnsemble | Boston Symphony Orchestra ⓘ |
| style |
accessible
ⓘ
modern ⓘ |
| subjectMatter |
meditations on love and loss
ⓘ
reflections on mortality ⓘ |
| usesTextLanguage | English ⓘ |
| workTitle | Symphony No. 5 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Symphony No. 5 Description of subject: Symphony No. 5 is a contemporary orchestral work by American composer John Harbison, reflecting his modern yet accessible style and contribution to late-20th-century symphonic repertoire.
Referenced by (3)
Full triples — surface form annotated when it differs from this entity's canonical label.