Pictures of Romance: Form Against Context in Painting and Literature

E856118

Pictures of Romance: Form Against Context in Painting and Literature is a scholarly study by Wendy Steiner that examines how romantic narratives are shaped and complicated by the interplay between visual form and literary context.

All labels observed (2)

How this entity was disambiguated

Statements (33)

Predicate Object
instanceOf book ⓘ
literary criticism work ⓘ
scholarly study ⓘ
academicDiscipline aesthetics ⓘ
art history ⓘ
comparative literature ⓘ
literary studies ⓘ
author Wendy Steiner ⓘ
countryOfOrigin United States ⓘ
examines how romantic narratives are complicated by literary context ⓘ
how romantic narratives are shaped by visual form ⓘ
interaction between pictorial representation and narrative structure ⓘ
focusesOn literature ⓘ
painting ⓘ
genre art criticism ⓘ
literary criticism ⓘ
hasAuthorGender female ⓘ
hasForm monograph ⓘ
hasPerspective interdisciplinary approach ⓘ
theoretical analysis of romance ⓘ
hasSubtitle Form Against Context in Painting and Literature ⓘ
hasTitle Pictures of Romance: Form Against Context in Painting and Literature ⓘ
intendedAudience researchers in literature and art ⓘ
scholars ⓘ
students ⓘ
language English ⓘ
mainSubject interplay between visual art and literature ⓘ
relationship between form and context ⓘ
romance narratives ⓘ
relatedConcept narrative theory ⓘ
romanticism ⓘ
visual representation ⓘ
relatedWork scholarship on word and image studies ⓘ

How these facts were elicited

Referenced by (3)

Full triples — surface form annotated when it differs from this entity's canonical label.

Wendy Steiner → notableWork → Pictures of Romance: Form Against Context in Painting and Literature ⓘ
Pictures of Romance: Form Against Context in Painting and Literature → hasTitle → Pictures of Romance: Form Against Context in Painting and Literature ⓘ
Pictures of Romance: Form Against Context in Painting and Literature → hasSubtitle → Form Against Context in Painting and Literature ⓘ
linked to: Pictures of Romance: Form Against Context in Painting and Literature