Raga Bageshri
E617192
Raga Bageshri is a prominent late-evening Hindustani classical raga known for its romantic, introspective mood and graceful melodic contours.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Raga Bageshri canonical | 3 |
| Raga Bageshri Kanada | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T6550423 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Raga Bageshri Context triple: [Hindustani music, hasRaga, Raga Bageshri]
-
A.
Raga Bhimpalasi
Raga Bhimpalasi is a popular afternoon raga in Hindustani classical music, known for its soulful, devotional mood and use of the Kafi thaat scale.
-
B.
Raga Bhairav
Raga Bhairav is a fundamental and ancient morning raga in Hindustani classical music, known for its serious, meditative mood and characteristic use of komal (flat) Re and Dha.
-
C.
Raga Todi
Raga Todi is a prominent and austere morning raga in Hindustani classical music, known for its complex, introspective mood and distinctive use of flattened notes.
-
D.
Raga Malkauns
Raga Malkauns is a deeply meditative and nocturnal Hindustani classical raga known for its pentatonic scale and serene, introspective mood.
-
E.
Raga Yaman
Raga Yaman is a prominent and foundational evening raga in Hindustani classical music, known for its serene, devotional mood and use of the tivra (sharp) Ma.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Raga Bageshri Target entity description: Raga Bageshri is a prominent late-evening Hindustani classical raga known for its romantic, introspective mood and graceful melodic contours.
-
A.
Raga Bhimpalasi
Raga Bhimpalasi is a popular afternoon raga in Hindustani classical music, known for its soulful, devotional mood and use of the Kafi thaat scale.
-
B.
Raga Bhairav
Raga Bhairav is a fundamental and ancient morning raga in Hindustani classical music, known for its serious, meditative mood and characteristic use of komal (flat) Re and Dha.
-
C.
Raga Todi
Raga Todi is a prominent and austere morning raga in Hindustani classical music, known for its complex, introspective mood and distinctive use of flattened notes.
-
D.
Raga Malkauns
Raga Malkauns is a deeply meditative and nocturnal Hindustani classical raga known for its pentatonic scale and serene, introspective mood.
-
E.
Raga Yaman
Raga Yaman is a prominent and foundational evening raga in Hindustani classical music, known for its serene, devotional mood and use of the tivra (sharp) Ma.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
Hindustani raga
ⓘ
musical scale ⓘ |
| anga |
Kafi-ang raga
ⓘ
linked to:
Kafi
|
| aroha | n S g M D n S' ⓘ |
| associatedGenre |
bhajan
ⓘ
instrumental music ⓘ khayal ⓘ thumri ⓘ |
| avaroha | S' n D M g R S ⓘ |
| characteristicFeature |
descending-oriented phrases
ⓘ
resting on Ma and Sa ⓘ use of komal swaras for pathos ⓘ |
| classification | serious (gambhir) raga ⓘ |
| contrastsWith | bright morning ragas like Bhairav ⓘ |
| importantNote |
Ga and Ma are strongly emphasized
ⓘ
Pa is generally avoided or used sparingly ⓘ meend and gamak are used for expressive slides ⓘ |
| jaati | audav-sampurna ⓘ |
| mood |
graceful
ⓘ
introspective ⓘ romantic ⓘ serene ⓘ |
| musicTradition | Hindustani classical music ⓘ |
| originRegion |
North India
ⓘ
linked to:
northern India
|
| pakad |
g M D n D M g R S
ⓘ
n S g M D n D M g ⓘ |
| performanceContext | late-evening concerts ⓘ |
| popularity | widely performed in Hindustani concerts ⓘ |
| primaryRasa | shringara (romantic) ⓘ |
| samvadi | Sa (Shadja) ⓘ |
| secondaryRasa | karuna (pathos) ⓘ |
| similarTo |
Raga Bageshri Kanada
ⓘ
linked to:
Raga Bageshri
Raga Kafi ⓘ Raga Suha ⓘ |
| thaat | Kafi ⓘ |
| timeOfPerformance |
late evening
ⓘ
second prahar of night ⓘ |
| typicalTempo |
madhya laya
ⓘ
vilambit laya ⓘ |
| usedFor |
expressing gentle romantic love
ⓘ
expressing longing and devotion ⓘ |
| usesSwar |
komal Dha
ⓘ
komal Ga ⓘ komal Ni ⓘ komal Re (in some interpretations, weak or omitted in ascent) ⓘ shuddha Ma ⓘ shuddha Pa (often omitted or very weak) ⓘ shuddha Sa ⓘ |
| vadi | Ma (Madhyam) ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Raga Bageshri Description of subject: Raga Bageshri is a prominent late-evening Hindustani classical raga known for its romantic, introspective mood and graceful melodic contours.
Referenced by (4)
Full triples — surface form annotated when it differs from this entity's canonical label.
linked to: Raga Bageshri