4′33″
E508599
4′33″ is John Cage’s landmark experimental composition in which performers remain silent for four minutes and thirty-three seconds, focusing attention on ambient sounds as the music.
All labels observed (1)
| Label | Occurrences |
|---|---|
| 4′33″ canonical | 7 |
How this entity was disambiguated
This entity first appeared as the object of triple T5275512 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: 4′33″ Context triple: [John Cage, notableWork, 4′33″]
-
A.
Adagio for Strings
Adagio for Strings is a widely acclaimed orchestral work by American composer Samuel Barber, renowned for its poignant, elegiac character and frequent use in solemn and memorial contexts.
-
B.
Partita for Orchestra
Partita for Orchestra is a lively and colorful orchestral work by English composer William Walton, showcasing his rhythmic vitality and brilliant orchestration.
-
C.
Another Place
Another Place is a large-scale outdoor sculpture by artist Antony Gormley, consisting of cast-iron human figures installed along the beach at Crosby in Merseyside, England.
-
D.
Grosse Fuge, Op. 133
Grosse Fuge, Op. 133 is a monumental and highly complex late string quartet movement by Ludwig van Beethoven, renowned for its intense contrapuntal writing and ahead-of-its-time modernity.
-
E.
Images pour orchestre
Images pour orchestre is an impressionistic orchestral suite by Claude Debussy that evokes vivid musical landscapes through rich color and innovative orchestration.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: 4′33″ Target entity description: 4′33″ is John Cage’s landmark experimental composition in which performers remain silent for four minutes and thirty-three seconds, focusing attention on ambient sounds as the music.
-
A.
Adagio for Strings
Adagio for Strings is a widely acclaimed orchestral work by American composer Samuel Barber, renowned for its poignant, elegiac character and frequent use in solemn and memorial contexts.
-
B.
Partita for Orchestra
Partita for Orchestra is a lively and colorful orchestral work by English composer William Walton, showcasing his rhythmic vitality and brilliant orchestration.
-
C.
Another Place
Another Place is a large-scale outdoor sculpture by artist Antony Gormley, consisting of cast-iron human figures installed along the beach at Crosby in Merseyside, England.
-
D.
Grosse Fuge, Op. 133
Grosse Fuge, Op. 133 is a monumental and highly complex late string quartet movement by Ludwig van Beethoven, renowned for its intense contrapuntal writing and ahead-of-its-time modernity.
-
E.
Images pour orchestre
Images pour orchestre is an impressionistic orchestral suite by Claude Debussy that evokes vivid musical landscapes through rich color and innovative orchestration.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
conceptual artwork
ⓘ
experimental music composition ⓘ musical composition ⓘ |
| alternativeTitle | Four Minutes, Thirty-Three Seconds ⓘ |
| artisticGoal | draw attention to the sounds of the environment as music ⓘ |
| associatedMovement |
avant-garde music
ⓘ
conceptual art ⓘ experimental music ⓘ |
| associatedWith |
chance operations
ⓘ
indeterminacy in music ⓘ silence in music ⓘ |
| composer | John Cage ⓘ |
| controversy | challenged traditional definitions of music ⓘ |
| countryOfOrigin |
United States
ⓘ
linked to:
United States of America
|
| dedicatedTo | David Tudor ⓘ |
| duration | 4 minutes 33 seconds ⓘ |
| firstMovementDuration | 30 seconds ⓘ |
| focusesOn |
ambient sounds
ⓘ
environmental sounds ⓘ |
| hasMedium |
live performance
ⓘ
written musical score ⓘ |
| influenced |
conceptual music
ⓘ
minimalist music ⓘ performance art ⓘ sound art ⓘ |
| influencedBy |
Marcel Duchamp’s readymades
ⓘ
linked to:
Duchamp readymades
Robert Rauschenberg’s White Paintings ⓘ Zen Buddhism ⓘ
linked to:
Zen
environmental soundscapes ⓘ |
| keyIdea |
silence is never absolute
ⓘ
the frame of a performance can turn any sound into music ⓘ |
| languageOfScore | English ⓘ |
| movementCount | 3 ⓘ |
| notableFeature |
contains no intentional musical notes
ⓘ
redefines the concept of listening ⓘ treats all sounds as potential music ⓘ |
| notatedAs | TACET in each movement ⓘ |
| originalInstrumentation | any instrument or combination of instruments ⓘ |
| performanceInstruction | performers do not intentionally produce sounds ⓘ |
| premiereDate | 1952-08-29 ⓘ |
| premiereLocation |
Maverick Concert Hall, Woodstock, New York, United States
ⓘ
linked to:
Woodstock, New York
|
| premierePerformer | David Tudor ⓘ |
| publisher | Edition Peters ⓘ |
| secondMovementDuration | 2 minutes 23 seconds ⓘ |
| structure | three movements ⓘ |
| thirdMovementDuration | 1 minute 40 seconds ⓘ |
| title | 4′33″ ⓘ |
| yearComposed | 1952 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: 4′33″ Description of subject: 4′33″ is John Cage’s landmark experimental composition in which performers remain silent for four minutes and thirty-three seconds, focusing attention on ambient sounds as the music.
Referenced by (7)
Full triples — surface form annotated when it differs from this entity's canonical label.