Behind the Myth of Benevolence

E485633

Behind the Myth of Benevolence is a contemporary artwork by Titus Kaphar that critiques traditional historical narratives by literally peeling back the image of Thomas Jefferson to reveal an obscured Black female figure behind him.

All labels observed (1)

Label Occurrences
Behind the Myth of Benevolence canonical 2

How this entity was disambiguated

Statements (46)

Predicate Object
instanceOf contemporary artwork ⓘ
painting ⓘ
artisticGoal to center Black experiences in U.S. history ⓘ
to expose what is hidden in dominant narratives ⓘ
artisticTechnique figurative painting ⓘ
layered canvas ⓘ
trompe-l’oeil ⓘ
associatedWith critical race discourse in art ⓘ
museum-based conversations on representation ⓘ
countryOfOrigin United States ⓘ
creator Titus Kaphar ⓘ
critiques mythologizing of Thomas Jefferson ⓘ
whitewashed historical narratives ⓘ
depictionStyle conceptual intervention into portraiture ⓘ
realism ⓘ
depicts Black female figure ⓘ
Thomas Jefferson ⓘ
genre history painting ⓘ
political art ⓘ
hasCulturalContext United States founding era ⓘ
contemporary debates about monuments and memory ⓘ
hasTitle Behind the Myth of Benevolence ⓘ
influencedBy American history painting tradition ⓘ
visual strategies of revisionist history ⓘ
intendedAudience museum visitors ⓘ
viewers of contemporary art ⓘ
languageOfTitle English ⓘ
mainSubject American history ⓘ
critique of traditional historical narratives ⓘ
erasure of Black women from history ⓘ
slavery in the United States ⓘ
medium oil on canvas ⓘ
movement contemporary art ⓘ
narrativeFunction challenges heroic portrayals of founding fathers ⓘ
reveals hidden histories ⓘ
partOf Titus Kaphar’s body of work on reimagining historical portraiture ⓘ
portrays Black woman emerging from behind Jefferson’s image ⓘ
Thomas Jefferson as partially peeled-back portrait ⓘ
portraysAs Black woman as symbol of obscured truth ⓘ
Thomas Jefferson as a symbol of benevolent myth ⓘ
theme historical memory ⓘ
power and representation ⓘ
race in America ⓘ
visibility of marginalized people ⓘ
visualMetaphor peeling back the canvas to reveal suppressed histories ⓘ
workPeriod 21st century ⓘ

How these facts were elicited

Referenced by (2)

Full triples — surface form annotated when it differs from this entity's canonical label.

Titus Kaphar → notableWork → Behind the Myth of Benevolence ⓘ
Behind the Myth of Benevolence → hasTitle → Behind the Myth of Benevolence ⓘ