Empfindsamer Stil

E305815

Empfindsamer Stil was an 18th-century musical style characterized by heightened expressivity, sudden contrasts, and intimate, sensitive emotional nuance, particularly associated with North German composers.

All labels observed (1)

Label Occurrences
Empfindsamer Stil canonical 7

How this entity was disambiguated

Statements (78)

Predicate Object
instanceOf 18th-century musical style ⓘ
musical style ⓘ
associatedRegion North Germany ⓘ
linked to: Northern Germany
associatedWith Berlin school of composers ⓘ
Carl Philipp Emanuel Bach ⓘ
Friedrich II of Prussia ⓘ
Friedrich Wilhelm Marpurg ⓘ
Hamburg school of composers ⓘ
Johann Abraham Peter Schulz ⓘ
Johann Adolf Hasse ⓘ
Johann Joachim Quantz ⓘ
Wilhelm Friedemann Bach ⓘ
countryOfOrigin Germany ⓘ
hasCharacteristic abrupt harmonic shifts ⓘ
anticipation of Classical and Romantic expressivity ⓘ
avoidance of strict contrapuntal complexity in favor of expression ⓘ
close relationship between music and spoken declamation ⓘ
contrast between homophonic and more elaborate textures ⓘ
contrast between lyrical and agitated passages ⓘ
contrast between recitative-like and song-like passages ⓘ
contrast with the more objective Baroque style ⓘ
cultivation of empfindsamkeit (sensibility) ⓘ
detailed performance indications ⓘ
emphasis on clarity of melodic line ⓘ
emphasis on individuality of expression ⓘ
emphasis on inner emotional states ⓘ
emphasis on naturalness in musical expression ⓘ
emphasis on small-scale forms ⓘ
emphasis on subjective feeling ⓘ
expressive ornamentation ⓘ
expressive use of rests ⓘ
flexible rhythm ⓘ
focus on intimate genres such as keyboard music ⓘ
frequent changes of affect within a movement ⓘ
frequent dynamic changes ⓘ
frequent use of sigh motives ⓘ
frequent use of suspensions and delayed resolutions ⓘ
heightened expressivity ⓘ
intimate emotional nuance ⓘ
irregular phrase structure ⓘ
quasi-improvisatory passages ⓘ
sensitive emotional nuance ⓘ
sensitive response to text in vocal music ⓘ
speech-like melodic writing ⓘ
sudden contrasts ⓘ
sudden textural contrasts ⓘ
use of appoggiaturas and expressive dissonances ⓘ
use of broken-chord accompaniments ⓘ
use of chromaticism for expression ⓘ
use of dynamic markings such as crescendo and decrescendo ⓘ
use of expressive tempo fluctuations ⓘ
use of melodic sigh figures (Seufzer) ⓘ
use of minor keys for pathos ⓘ
use of ornamentation as a vehicle for emotion ⓘ
use of rhetorical musical figures ⓘ
use of silence and pauses for expression ⓘ
use of simple textures to highlight expression ⓘ
use of unexpected modulations ⓘ
use of unexpected pauses ⓘ
influenced Classical style ⓘ
early Romantic expressivity ⓘ
influencedBy Baroque rhetorical traditions ⓘ
Enlightenment culture of sensibility ⓘ
languageOfTerm German ⓘ
literalMeaning sensitive style ⓘ
relatedConcept Empfindsamkeit (culture of sensibility) ⓘ
linked to: Empfindsamkeit

Sturm und Drang ⓘ
galant style ⓘ
timePeriod early Classical era ⓘ
late Baroque era ⓘ
mid-18th century ⓘ
typicalGenre chamber music ⓘ
keyboard sonata ⓘ
lieder ⓘ
sacred music ⓘ
typicalInstrument clavichord ⓘ
fortepiano ⓘ
harpsichord ⓘ

How these facts were elicited

Referenced by (7)

Full triples — surface form annotated when it differs from this entity's canonical label.

Johann Christoph Friedrich Bach → movement → Empfindsamer Stil ⓘ
Carl Philipp Emanuel Bach → movement → Empfindsamer Stil ⓘ
subject linked to: Carl
Keyboard sonatas → relatedTo → Empfindsamer Stil ⓘ
Empfindsamkeit movement → hasAlternativeName → Empfindsamer Stil ⓘ
Wq 48 → hasKeyCharacteristic → Empfindsamer Stil ⓘ
Six Sonatas for Keyboard, Wq 49 → style → Empfindsamer Stil ⓘ