Cinema 2: The Time-Image
E276760
Cinema 2: The Time-Image is a major philosophical work by Gilles Deleuze that develops a theory of modern cinema through the concept of the "time-image," emphasizing new ways films represent time, perception, and thought.
All labels observed (4)
| Label | Occurrences |
|---|---|
| Cinema 2: The Time-Image canonical | 3 |
| Cinéma 2: L’Image-temps | 1 |
| Deleuze’s Cinema books | 1 |
| Deleuze’s philosophy of cinema | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T2538484 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Cinema 2: The Time-Image Context triple: [Gilles Deleuze, notableWork, Cinema 2: The Time-Image]
-
A.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
-
B.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
-
C.
Kino: A New Art
"Kino: A New Art" is a seminal theoretical work by Soviet filmmaker Lev Kuleshov that helped define early film theory and the artistic principles of cinema.
-
D.
Histoire(s) du cinéma
Histoire(s) du cinéma is an experimental multi-part video essay by Jean-Luc Godard that explores the history and language of cinema through dense montage, commentary, and archival imagery.
-
E.
The Treachery of Images
The Treachery of Images is a famous 1929 painting by René Magritte that depicts a realistic pipe alongside the caption “Ceci n’est pas une pipe,” challenging viewers’ assumptions about representation and reality.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Cinema 2: The Time-Image Target entity description: Cinema 2: The Time-Image is a major philosophical work by Gilles Deleuze that develops a theory of modern cinema through the concept of the "time-image," emphasizing new ways films represent time, perception, and thought.
-
A.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
-
B.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
-
C.
Kino: A New Art
"Kino: A New Art" is a seminal theoretical work by Soviet filmmaker Lev Kuleshov that helped define early film theory and the artistic principles of cinema.
-
D.
Histoire(s) du cinéma
Histoire(s) du cinéma is an experimental multi-part video essay by Jean-Luc Godard that explores the history and language of cinema through dense montage, commentary, and archival imagery.
-
E.
The Treachery of Images
The Treachery of Images is a famous 1929 painting by René Magritte that depicts a realistic pipe alongside the caption “Ceci n’est pas une pipe,” challenging viewers’ assumptions about representation and reality.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
film theory book
ⓘ
non-fiction book ⓘ philosophical work ⓘ |
| author | Gilles Deleuze ⓘ |
| centralConcept |
crystal-image
ⓘ
direct time-image ⓘ
linked to:
sculpting in time
opsign ⓘ sonsign ⓘ time-image ⓘ |
| comparedWith | movement-image ⓘ |
| countryOfOrigin | France ⓘ |
| examines |
cinema and history
ⓘ
cinema and politics ⓘ cinema and thought ⓘ disjunctive editing ⓘ new forms of cinematic time ⓘ non-chronological narratives ⓘ pure optical and sound situations ⓘ |
| focusesOn |
art cinema
ⓘ
modernist film ⓘ post-World War II cinema ⓘ |
| follows | Cinema 1: The Movement-Image ⓘ |
| hasGenre |
aesthetics
ⓘ
film criticism ⓘ philosophy of art ⓘ |
| influencedBy |
Charles Sanders Peirce
ⓘ
Friedrich Nietzsche ⓘ Henri Bergson ⓘ Immanuel Kant ⓘ |
| languageOfTitle | English ⓘ |
| notableFor |
influence on film studies
ⓘ
influence on philosophy of cinema ⓘ theory of the time-image ⓘ |
| originalLanguage | French ⓘ |
| originalTitle |
Cinéma 2: L’Image-temps
ⓘ
linked to:
Cinema 2: The Time-Image
|
| philosophicalTradition |
continental philosophy
ⓘ
poststructuralism ⓘ |
| precedes | N/A ⓘ |
| publicationYear | 1985 ⓘ |
| series | Cinema ⓘ |
| subject |
cinema
ⓘ
film theory ⓘ modern cinema ⓘ perception ⓘ philosophy of film ⓘ postwar cinema ⓘ thought ⓘ time ⓘ time-image ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Cinema 2: The Time-Image Description of subject: Cinema 2: The Time-Image is a major philosophical work by Gilles Deleuze that develops a theory of modern cinema through the concept of the "time-image," emphasizing new ways films represent time, perception, and thought.
Referenced by (6)
Full triples — surface form annotated when it differs from this entity's canonical label.
linked to: Cinema 2: The Time-Image
linked to: Cinema 2: The Time-Image
linked to: Cinema 2: The Time-Image