Philosophy of New Music

Target entity: Philosophy of New Music
Context triple: [Theodor W. Adorno, notableWork, Philosophy of New Music]

• A. Penser la musique aujourd’hui
  Penser la musique aujourd’hui is a theoretical and analytical essay by composer-conductor Pierre Boulez that explores the foundations and future directions of contemporary music.
• B. The Science of Musical Sound
  The Science of Musical Sound is a book by engineer and acoustics researcher John R. Pierce that explains the physical and perceptual principles underlying how music and sound are produced, transmitted, and heard.
• C. Lectures on Aesthetics
  Lectures on Aesthetics is a posthumously published collection of G. W. F. Hegel’s university lectures that presents his influential philosophy of art and beauty within his broader idealist system.
• D. Die Lehre von den Tonempfindungen
  Die Lehre von den Tonempfindungen is Hermann von Helmholtz’s foundational 19th-century treatise on the physiological and psychological basis of musical tone and acoustics.
• E. The Problem with Music
  The Problem with Music is a widely cited essay critiquing the exploitative practices of the mainstream music industry and the ways record labels financially and creatively undermine artists.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: Philosophy of New Music
Target entity description: Philosophy of New Music is a seminal 1949 work of critical musicology and aesthetic theory by Theodor W. Adorno that contrasts Schoenberg’s modernism with Stravinsky’s neoclassicism to explore the social and philosophical meaning of twentieth-century music.

• A. Penser la musique aujourd’hui
  Penser la musique aujourd’hui is a theoretical and analytical essay by composer-conductor Pierre Boulez that explores the foundations and future directions of contemporary music.
• B. The Science of Musical Sound
  The Science of Musical Sound is a book by engineer and acoustics researcher John R. Pierce that explains the physical and perceptual principles underlying how music and sound are produced, transmitted, and heard.
• C. Lectures on Aesthetics
  Lectures on Aesthetics is a posthumously published collection of G. W. F. Hegel’s university lectures that presents his influential philosophy of art and beauty within his broader idealist system.
• D. Die Lehre von den Tonempfindungen
  Die Lehre von den Tonempfindungen is Hermann von Helmholtz’s foundational 19th-century treatise on the physiological and psychological basis of musical tone and acoustics.
• E. The Problem with Music
  The Problem with Music is a widely cited essay critiquing the exploitative practices of the mainstream music industry and the ways record labels financially and creatively undermine artists.
• F. None of above. chosen