Week of Modern Art

Target entity: Week of Modern Art
Context triple: [Brazilian modernism, significantEvent, Week of Modern Art]

• A. Les Nabis
  Les Nabis were a late 19th-century group of French avant-garde artists who sought to synthesize symbolism, decorative art, and spiritual themes into a new, modern visual language.
• B. Les Demoiselles d'Avignon
  Les Demoiselles d'Avignon is a groundbreaking 1907 painting by Pablo Picasso that helped launch Cubism and radically transformed the course of modern art.
• C. Der Blaue Reiter
  Der Blaue Reiter was an early 20th-century German Expressionist art movement and group of artists, including figures like Wassily Kandinsky and Franz Marc, known for its spiritual, abstract, and emotionally charged works.
• D. Le Peintre de la vie moderne
  Le Peintre de la vie moderne is an influential 1863 essay by Charles Baudelaire that explores the role of the modern artist and the aesthetics of modernity in urban life.
• E. Les Traditions de l’art
  Les Traditions de l’art is a theoretical and critical work by French Post-Impressionist painter Émile Bernard, in which he reflects on the history, principles, and spiritual dimensions of artistic tradition.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: Week of Modern Art
Target entity description: The Week of Modern Art was a landmark 1922 cultural festival in São Paulo that revolutionized Brazilian literature, visual arts, and music by introducing and consolidating modernist ideas.

• A. Les Nabis
  Les Nabis were a late 19th-century group of French avant-garde artists who sought to synthesize symbolism, decorative art, and spiritual themes into a new, modern visual language.
• B. Les Demoiselles d'Avignon
  Les Demoiselles d'Avignon is a groundbreaking 1907 painting by Pablo Picasso that helped launch Cubism and radically transformed the course of modern art.
• C. Der Blaue Reiter
  Der Blaue Reiter was an early 20th-century German Expressionist art movement and group of artists, including figures like Wassily Kandinsky and Franz Marc, known for its spiritual, abstract, and emotionally charged works.
• D. Le Peintre de la vie moderne
  Le Peintre de la vie moderne is an influential 1863 essay by Charles Baudelaire that explores the role of the modern artist and the aesthetics of modernity in urban life.
• E. Les Traditions de l’art
  Les Traditions de l’art is a theoretical and critical work by French Post-Impressionist painter Émile Bernard, in which he reflects on the history, principles, and spiritual dimensions of artistic tradition.
• F. None of above. chosen