The Large Bathers
E128498
The Large Bathers is a late 19th-century painting by Pierre-Auguste Renoir that depicts a group of nude women in a lush outdoor setting, reflecting his transition from Impressionism toward a more classical, sculptural style.
All labels observed (4)
| Label | Occurrences |
|---|---|
| The Large Bathers canonical | 3 |
| Les Grandes Baigneuses | 1 |
| The Large Bathers (National Gallery, London) | 1 |
| The Large Bathers (Philadelphia Museum of Art) | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1126769 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Large Bathers Context triple: [Pierre-Auguste Renoir, notableWork, The Large Bathers]
-
A.
The Bathers
The Bathers is a series of large-scale Post-Impressionist paintings by Paul Cézanne depicting groups of nude figures in stylized natural landscapes, considered pivotal in the development of modern art.
-
B.
Bathers at Asnières
Bathers at Asnières is a large-scale 1884 oil painting by Georges Seurat that depicts working-class Parisians relaxing by the Seine and is considered a key early example of his innovative approach to color and composition.
-
C.
The Valpinçon Bather
The Valpinçon Bather is a celebrated Neoclassical painting depicting a serene nude woman from behind, renowned for its idealized form, smooth surfaces, and meticulous attention to contour and line.
-
D.
Nude in the Bath
"Nude in the Bath" is a celebrated painting by Pierre Bonnard that exemplifies his intimate domestic interiors, vibrant color palette, and distinctive treatment of light and form.
-
E.
La Grande Odalisque
La Grande Odalisque is a famous 1814 Neoclassical oil painting by Jean-Auguste-Dominique Ingres depicting an elongated nude concubine in an exotic harem setting.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Large Bathers Target entity description: The Large Bathers is a late 19th-century painting by Pierre-Auguste Renoir that depicts a group of nude women in a lush outdoor setting, reflecting his transition from Impressionism toward a more classical, sculptural style.
-
A.
The Bathers
The Bathers is a series of large-scale Post-Impressionist paintings by Paul Cézanne depicting groups of nude figures in stylized natural landscapes, considered pivotal in the development of modern art.
-
B.
Bathers at Asnières
Bathers at Asnières is a large-scale 1884 oil painting by Georges Seurat that depicts working-class Parisians relaxing by the Seine and is considered a key early example of his innovative approach to color and composition.
-
C.
The Valpinçon Bather
The Valpinçon Bather is a celebrated Neoclassical painting depicting a serene nude woman from behind, renowned for its idealized form, smooth surfaces, and meticulous attention to contour and line.
-
D.
Nude in the Bath
"Nude in the Bath" is a celebrated painting by Pierre Bonnard that exemplifies his intimate domestic interiors, vibrant color palette, and distinctive treatment of light and form.
-
E.
La Grande Odalisque
La Grande Odalisque is a famous 1814 Neoclassical oil painting by Jean-Auguste-Dominique Ingres depicting an elongated nude concubine in an exotic harem setting.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
oil painting
ⓘ
painting ⓘ |
| artist | Pierre-Auguste Renoir ⓘ |
| artisticPeriod | Renoir’s late 1880s period ⓘ |
| artisticStyle |
classical
ⓘ
linear ⓘ sculptural ⓘ |
| artworkSurface | canvas ⓘ |
| collection | Philadelphia Museum of Art ⓘ |
| colorPalette |
greens
ⓘ
soft blues ⓘ warm tones ⓘ |
| completionDate | 1887 ⓘ |
| countryOfOrigin | France ⓘ |
| creator | Pierre-Auguste Renoir ⓘ |
| depictionStyle |
harmonious composition
ⓘ
idealized ⓘ |
| depicts |
bathers
ⓘ
nude women ⓘ outdoor landscape ⓘ trees ⓘ water ⓘ |
| genre |
bather painting
ⓘ
nude painting ⓘ |
| hasPart |
background figures
ⓘ
foliage ⓘ riverbank ⓘ three main female figures ⓘ |
| inception | 1884 ⓘ |
| influencedBy |
Ingres
ⓘ
linked to:
Jean-Auguste-Dominique Ingres
Raphael ⓘ classical art ⓘ |
| languageOfTitle | French ⓘ |
| location | Philadelphia Museum of Art ⓘ |
| materialUsed | oil paint ⓘ |
| movement |
Impressionism
ⓘ
Post-Impressionism ⓘ classical revival ⓘ |
| notableFor |
carefully modeled figures
ⓘ
large-scale composition ⓘ transition from Impressionism to a more classical style ⓘ |
| originalTitle |
Les Grandes Baigneuses
ⓘ
linked to:
The Large Bathers
|
| owner | Philadelphia Museum of Art ⓘ |
| partOf | Renoir’s series of bather paintings ⓘ |
| subjectMatter | female nudes in a landscape ⓘ |
| support | canvas ⓘ |
| title | The Large Bathers ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: The Large Bathers Description of subject: The Large Bathers is a late 19th-century painting by Pierre-Auguste Renoir that depicts a group of nude women in a lush outdoor setting, reflecting his transition from Impressionism toward a more classical, sculptural style.
Referenced by (6)
Full triples — surface form annotated when it differs from this entity's canonical label.
linked to: The Large Bathers
linked to: The Large Bathers
linked to: The Large Bathers