Triple
T26336862
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Against Interpretation and Other Essays |
E662544
|
entity |
| Predicate | hasEssay |
P27484
|
FINISHED |
| Object |
Theatre and Film
"Theatre and Film" is an essay by Susan Sontag that examines the aesthetic and experiential differences between live theatrical performance and cinematic representation.
|
E1723282
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Theatre and Film | Statement: [Against Interpretation and Other Essays, hasEssay, Theatre and Film]
NEDg
Description generation
gpt-5.1
Instruction
Generate a one-sentence description of the target entity. You are given a context triple in the form (subject, predicate, object), where the object is the target entity. # Instructions Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. Avoid repeating the information from the triple, unless really essential. # Response Format Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Theatre and Film Triple: [Against Interpretation and Other Essays, hasEssay, Theatre and Film]
Generated description
"Theatre and Film" is an essay by Susan Sontag that examines the aesthetic and experiential differences between live theatrical performance and cinematic representation.
Provenance (5 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69ee81304194819092e20e0fae3aee07 |
completed | April 26, 2026, 9:18 p.m. |
| NER | Named-entity recognition | batch_69f60f6e0dc88190b3eaa4acc7b5bb06 |
completed | May 2, 2026, 2:51 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_6a119a5c09748190b1eb7a7bace7a396 |
completed | May 23, 2026, 12:15 p.m. |
| NEDg | Description generation | batch_6a119e2d0de08190b7f6406a35d94f0a |
completed | May 23, 2026, 12:31 p.m. |
| NED2 | Entity disambiguation (via description) | batch_6a119e954c5881908204c0fc83fc7fa5 |
completed | May 23, 2026, 12:33 p.m. |
Created at: April 26, 2026, 10:36 p.m.