Triple

T19946442
Position Surface form Disambiguated ID Type / Status
Subject Drawing Restraint series E479433 entity
Predicate hasPart P35 FINISHED
Object Drawing Restraint 25
Drawing Restraint 25 is a work in Matthew Barney’s long-running Drawing Restraint series, continuing his exploration of physical limitation, transformation, and ritualized performance.
E1436704 NE FINISHED

How this triple was built (4 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Drawing Restraint 25 | Statement: [Drawing Restraint series, hasPart, Drawing Restraint 25]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Drawing Restraint 25
Context triple: [Drawing Restraint series, hasPart, Drawing Restraint 25]
  • A. Drawing Restraint 23
    Drawing Restraint 23 is a work in Matthew Barney’s long-running Drawing Restraint series, continuing his exploration of physical limitation, transformation, and ritualized performance.
  • B. Drawing Restraint 24
    Drawing Restraint 24 is a work in Matthew Barney’s long-running Drawing Restraint series, continuing his exploration of physical limitation, transformation, and ritualized performance in contemporary art.
  • C. Drawing Restraint 20
    Drawing Restraint 20 is a work in Matthew Barney’s long-running Drawing Restraint series, continuing his exploration of physical limitation, transformation, and ritualized performance.
  • D. Drawing Restraint 22
    Drawing Restraint 22 is a later installment in Matthew Barney’s long-running Drawing Restraint project, continuing his exploration of physical limitation, ritual, and transformation through elaborate, multimedia performance-based art.
  • E. Drawing Restraint 21
    Drawing Restraint 21 is a work within Matthew Barney’s long-running Drawing Restraint project, continuing his exploration of physical limitation, transformation, and ritualized performance as generative forces in art.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg Description generation gpt-5.1
Instruction
Generate a one-sentence description of the target entity. 
You are given a context triple in the form (subject, predicate, object), where the object is the target entity. 
# Instructions
Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. 
Avoid repeating the information from the triple, unless really essential.
# Response Format
Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Drawing Restraint 25
Triple: [Drawing Restraint series, hasPart, Drawing Restraint 25]
Generated description
Drawing Restraint 25 is a work in Matthew Barney’s long-running Drawing Restraint series, continuing his exploration of physical limitation, transformation, and ritualized performance.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Drawing Restraint 25
Target entity description: Drawing Restraint 25 is a work in Matthew Barney’s long-running Drawing Restraint series, continuing his exploration of physical limitation, transformation, and ritualized performance.
  • A. Drawing Restraint 23
    Drawing Restraint 23 is a work in Matthew Barney’s long-running Drawing Restraint series, continuing his exploration of physical limitation, transformation, and ritualized performance.
  • B. Drawing Restraint 24
    Drawing Restraint 24 is a work in Matthew Barney’s long-running Drawing Restraint series, continuing his exploration of physical limitation, transformation, and ritualized performance in contemporary art.
  • C. Drawing Restraint 20
    Drawing Restraint 20 is a work in Matthew Barney’s long-running Drawing Restraint series, continuing his exploration of physical limitation, transformation, and ritualized performance.
  • D. Drawing Restraint 22
    Drawing Restraint 22 is a later installment in Matthew Barney’s long-running Drawing Restraint project, continuing his exploration of physical limitation, ritual, and transformation through elaborate, multimedia performance-based art.
  • E. Drawing Restraint 21
    Drawing Restraint 21 is a work within Matthew Barney’s long-running Drawing Restraint project, continuing his exploration of physical limitation, transformation, and ritualized performance as generative forces in art.
  • F. None of above. chosen

Provenance (5 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d8e522a17c819095165d4d24939fd8 completed April 10, 2026, 11:55 a.m.
NER Named-entity recognition batch_69e65a6725dc81908c55ec5595be6778 completed April 20, 2026, 4:55 p.m.
NED1 Entity disambiguation (via context triple) batch_6a08a5472558819086087f605a30100f completed May 16, 2026, 5:11 p.m.
NEDg Description generation batch_6a08a6799f2081909a1c2c1088ca4908 completed May 16, 2026, 5:16 p.m.
NED2 Entity disambiguation (via description) batch_6a08a7204e888190b3541c359e17e599 completed May 16, 2026, 5:19 p.m.
Created at: April 10, 2026, 1:54 p.m.