Triple
T19946434
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Drawing Restraint series |
E479433
|
entity |
| Predicate | hasPart |
P35
|
FINISHED |
| Object |
Drawing Restraint 17
Drawing Restraint 17 is a multimedia artwork by Matthew Barney that continues his experimental exploration of transformation, ritual, and physical constraint within the larger Drawing Restraint series.
|
E1426033
|
NE FINISHED |
How this triple was built (4 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Drawing Restraint 17 | Statement: [Drawing Restraint series, hasPart, Drawing Restraint 17]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Drawing Restraint 17 Context triple: [Drawing Restraint series, hasPart, Drawing Restraint 17]
-
A.
Drawing Restraint 16
Drawing Restraint 16 is a work in Matthew Barney’s experimental Drawing Restraint series, continuing his exploration of physical limitation, ritual, and transformation through performance-based visual art.
-
B.
Drawing Restraint 14
Drawing Restraint 14 is a multimedia artwork by Matthew Barney that continues his experimental exploration of physical limitation, transformation, and ritual within the larger Drawing Restraint series.
-
C.
Drawing Restraint 15
Drawing Restraint 15 is a multimedia artwork by Matthew Barney that continues his experimental Drawing Restraint series, exploring themes of transformation, constraint, and ritual through complex visual and performative elements.
-
D.
Drawing Restraint 13
Drawing Restraint 13 is a multimedia artwork by Matthew Barney that continues his experimental exploration of physical limitation, transformation, and ritual within the larger Drawing Restraint series.
-
E.
Drawing Restraint 12
Drawing Restraint 12 is a multimedia artwork by Matthew Barney that continues his experimental exploration of physical limitation, transformation, and ritual within the larger Drawing Restraint series.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg
Description generation
gpt-5.1
Instruction
Generate a one-sentence description of the target entity. You are given a context triple in the form (subject, predicate, object), where the object is the target entity. # Instructions Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. Avoid repeating the information from the triple, unless really essential. # Response Format Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Drawing Restraint 17 Triple: [Drawing Restraint series, hasPart, Drawing Restraint 17]
Generated description
Drawing Restraint 17 is a multimedia artwork by Matthew Barney that continues his experimental exploration of transformation, ritual, and physical constraint within the larger Drawing Restraint series.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Drawing Restraint 17 Target entity description: Drawing Restraint 17 is a multimedia artwork by Matthew Barney that continues his experimental exploration of transformation, ritual, and physical constraint within the larger Drawing Restraint series.
-
A.
Drawing Restraint 16
Drawing Restraint 16 is a work in Matthew Barney’s experimental Drawing Restraint series, continuing his exploration of physical limitation, ritual, and transformation through performance-based visual art.
-
B.
Drawing Restraint 14
Drawing Restraint 14 is a multimedia artwork by Matthew Barney that continues his experimental exploration of physical limitation, transformation, and ritual within the larger Drawing Restraint series.
-
C.
Drawing Restraint 15
Drawing Restraint 15 is a multimedia artwork by Matthew Barney that continues his experimental Drawing Restraint series, exploring themes of transformation, constraint, and ritual through complex visual and performative elements.
-
D.
Drawing Restraint 13
Drawing Restraint 13 is a multimedia artwork by Matthew Barney that continues his experimental exploration of physical limitation, transformation, and ritual within the larger Drawing Restraint series.
-
E.
Drawing Restraint 12
Drawing Restraint 12 is a multimedia artwork by Matthew Barney that continues his experimental exploration of physical limitation, transformation, and ritual within the larger Drawing Restraint series.
- F. None of above. chosen
Provenance (5 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8e522a17c819095165d4d24939fd8 |
completed | April 10, 2026, 11:55 a.m. |
| NER | Named-entity recognition | batch_69e65a6725dc81908c55ec5595be6778 |
completed | April 20, 2026, 4:55 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_6a08706cb7bc8190b25e3ea8a9974e1f |
completed | May 16, 2026, 1:26 p.m. |
| NEDg | Description generation | batch_6a08714afbe0819086dff0c44bff04f3 |
completed | May 16, 2026, 1:29 p.m. |
| NED2 | Entity disambiguation (via description) | batch_6a0871c291f081908678ad866cee22b1 |
completed | May 16, 2026, 1:31 p.m. |
Created at: April 10, 2026, 1:54 p.m.