Triple
T18140792
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | We'll Never Turn Back |
E434254
|
entity |
| Predicate | followedBy |
P78
|
FINISHED |
| Object |
Live: Hope at the Hideout
Live: Hope at the Hideout is a live album by American singer and activist Mavis Staples, showcasing her powerful gospel and soul performances recorded at Chicago’s Hideout club.
|
E1307554
|
NE FINISHED |
How this triple was built (4 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Live: Hope at the Hideout | Statement: [We'll Never Turn Back, followedBy, Live: Hope at the Hideout]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Live: Hope at the Hideout Context triple: [We'll Never Turn Back, followedBy, Live: Hope at the Hideout]
-
A.
Live! At the Knitting Factory
"Live! At the Knitting Factory" is a live EP by the Washington, D.C. post-punk band The Make-Up, capturing their energetic, gospel-infused garage rock performance at New York's Knitting Factory venue.
-
B.
Live at the Hurrah
Live at the Hurrah is a live album capturing Welsh post-punk band Young Marble Giants’ minimalist performance at New York’s Hurrah nightclub in 1980.
-
C.
Live at the Loa
Live at the Loa is a live jazz album by the Ray Brown Trio, celebrated for its virtuosic bass playing and intimate club atmosphere.
-
D.
Live at the Regal
Live at the Regal is a landmark 1965 live blues album by B.B. King, widely celebrated for its electrifying performance and major influence on blues and rock guitarists.
-
E.
Live at the Murat
"Live at the Murat" is a live album by progressive rock jam band Umphrey's McGee, showcasing their improvisational performances recorded at the Murat Theatre in Indianapolis.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg
Description generation
gpt-5.1
Instruction
Generate a one-sentence description of the target entity. You are given a context triple in the form (subject, predicate, object), where the object is the target entity. # Instructions Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. Avoid repeating the information from the triple, unless really essential. # Response Format Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Live: Hope at the Hideout Triple: [We'll Never Turn Back, followedBy, Live: Hope at the Hideout]
Generated description
Live: Hope at the Hideout is a live album by American singer and activist Mavis Staples, showcasing her powerful gospel and soul performances recorded at Chicago’s Hideout club.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Live: Hope at the Hideout Target entity description: Live: Hope at the Hideout is a live album by American singer and activist Mavis Staples, showcasing her powerful gospel and soul performances recorded at Chicago’s Hideout club.
-
A.
Live! At the Knitting Factory
"Live! At the Knitting Factory" is a live EP by the Washington, D.C. post-punk band The Make-Up, capturing their energetic, gospel-infused garage rock performance at New York's Knitting Factory venue.
-
B.
Live at the Hurrah
Live at the Hurrah is a live album capturing Welsh post-punk band Young Marble Giants’ minimalist performance at New York’s Hurrah nightclub in 1980.
-
C.
Live at the Loa
Live at the Loa is a live jazz album by the Ray Brown Trio, celebrated for its virtuosic bass playing and intimate club atmosphere.
-
D.
Live at the Regal
Live at the Regal is a landmark 1965 live blues album by B.B. King, widely celebrated for its electrifying performance and major influence on blues and rock guitarists.
-
E.
Live at the Murat
"Live at the Murat" is a live album by progressive rock jam band Umphrey's McGee, showcasing their improvisational performances recorded at the Murat Theatre in Indianapolis.
- F. None of above. chosen
Provenance (5 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d8b90aac308190801e2c57d8c5bfe5 |
completed | April 10, 2026, 8:47 a.m. |
| NER | Named-entity recognition | batch_69e4de0b67308190ae3be2dbff99910a |
completed | April 19, 2026, 1:52 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_6a03855061b88190a9fcda2743dec41a |
completed | May 12, 2026, 7:53 p.m. |
| NEDg | Description generation | batch_6a03861898948190b3ada048d9ea274c |
completed | May 12, 2026, 7:57 p.m. |
| NED2 | Entity disambiguation (via description) | batch_6a0386b90e308190807af4d407840985 |
completed | May 12, 2026, 7:59 p.m. |
Created at: April 10, 2026, 10:29 a.m.