usesTexture
P53016
predicate
Indicates that one entity employs or incorporates the texture of another entity in its appearance, design, or representation.
All labels observed (3)
| Label | Occurrences |
|---|---|
| usesTexture canonical | 46 |
| employsTexture | 5 |
| usesAmbientTextures | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: usesTexture
Generated description
Indicates that one entity employs or incorporates the texture of another entity in its appearance, design, or representation.
Sample triples (52)
| Subject | Object |
|---|---|
| Viola Concerto | orchestral textures highlighting soloist ⓘ |
| Clarinet Sonata | lyrical melodic writing ⓘ |
| Clarinet Sonata | rich piano accompaniment ⓘ |
| Contrapunctus III | polyphonic ⓘ |
| Piano Quintet in E major, Op. 15 | richly contrapuntal ⓘ |
| Prelude in F minor, BWV 857 | polyphonic texture ⓘ |
| Prelude in F minor, BWV 857 | contrapuntal texture ⓘ |
| Prelude in A-flat major, BWV 862 | predominantly homophonic with figurations ⓘ |
| Fugue in A minor, BWV 865 | polyphonic ⓘ |
| Fugue in B minor, BWV 869 | polyphonic ⓘ |
| Fugue in B minor, BWV 869 | contrapuntal ⓘ |
|
Rondo alla Turca
linked to:
Wolfgang Amadeus Mozart – “Rondo alla Turca”
|
homophonic texture ⓘ |
|
Rondo alla Turca
linked to:
Wolfgang Amadeus Mozart – “Rondo alla Turca”
|
melody with accompaniment ⓘ |
| Baroque pop | dense layered arrangements ⓘ |
| Baroque pop | counterpoint ⓘ |
| Grand Sonata in A major for violin and guitar | duo texture ⓘ |
| Stabat Mater, Op. 58 | homophonic choral writing ⓘ |
| Stabat Mater, Op. 58 | polyphonic choral writing ⓘ |
| Your Blue Room | true via predicate surface "usesAmbientTextures" ⓘ |
| Piano Sonatas, Op. 40 | homophonic texture ⓘ |
| Symphony No. 6 | dense orchestral textures ⓘ |
| Symphony No. 6 | contrasting transparent passages ⓘ |
| Cantate da camera | monody with continuo via predicate surface "employsTexture" ⓘ |
| Elegy for Strings | homophonic ⓘ |
| Elegy for Strings | polyphonic ⓘ |
| Scherzos | dense chordal writing via predicate surface "employsTexture" ⓘ |
| Scherzos | brilliant octave passages via predicate surface "employsTexture" ⓘ |
| Scherzos | lyrical middle sections via predicate surface "employsTexture" ⓘ |
|
Arabeske in C major, Op. 18
linked to:
Arabeske
|
cantabile melody with accompaniment ⓘ |
|
Arabeske in C major, Op. 18
linked to:
Arabeske
|
ornamented figuration ⓘ |
| Aufschwung | broken chord figurations ⓘ |
| Aufschwung | rapid passagework ⓘ |
| The Girl with the Flaxen Hair | homophonic texture ⓘ |
| The Girl with the Flaxen Hair | light accompaniment figures ⓘ |
| Arabesque No. 1 | broken-chord accompaniment ⓘ |
| Arabesque No. 1 | melody in the right hand ⓘ |
| Sonata for Clarinet and Piano | polyphonic ⓘ |
| Sonata for Viola and Piano | contrapuntal writing via predicate surface "employsTexture" ⓘ |
| Hunting Song | brilliant figurations ⓘ |
| Hunting Song | rapid passagework ⓘ |
| BWV 848 | polyphony ⓘ |
| BWV 848 | contrapuntal texture ⓘ |
| BWV 860 | polyphonic ⓘ |
| Corpo Santo | rich choral textures ⓘ |
| Corpo Santo | orchestral color ⓘ |
| Impromptu in A-flat major, Op. 29 | melody with accompaniment ⓘ |
| Impromptu in A-flat major, Op. 29 | arpeggiated accompaniment ⓘ |
| Piano Sonata No. 12 in A-flat major, Op. 26 | homophonic and contrapuntal textures ⓘ |
| Golliwogg’s Cakewalk | melody with accompaniment ⓘ |
| Pagodes | layered textures ⓘ |