functionInWork
P46726
predicate
Indicates that a particular function, role, or operation is performed, utilized, or occurs within the context of a specific work or creation.
All labels observed (11)
| Label | Occurrences |
|---|---|
| functionInWork canonical | 40 |
| functionInSymphony | 4 |
| functionInShow | 3 |
| функцияВПроизведении | 3 |
| functionInTexts | 2 |
| workFunction | 2 |
| functionInComposition | 1 |
| functionInEpic | 1 |
| functionInPassion | 1 |
| functionWithinWork | 1 |
| inWorkDramaticFunction | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: functionInWork
Generated description
Indicates that a particular function, role, or operation is performed, utilized, or occurs within the context of a specific work or creation.
Sample triples (59)
| Subject | Object |
|---|---|
| The Carousel Waltz | orchestral prelude ⓘ |
| Nala and Damayanti | consolation narrative for the Pandavas in exile via predicate surface "functionInEpic" ⓘ |
| Anti-Climacus | narrator of The Sickness unto Death via predicate surface "workFunction" ⓘ |
| Anti-Climacus | narrator of Practice in Christianity via predicate surface "workFunction" ⓘ |
| The Prologue | sets psychological stage for the symphony ⓘ |
| The Prologue | introduces thematic material ⓘ |
| The Prologue | establishes mood of postwar unease ⓘ |
| Prelude I | moral frame ⓘ |
| Prelude I | seasonal frame ⓘ |
| "The Custom-House" introduction to "The Scarlet Letter" | frame narrative for "The Scarlet Letter" ⓘ |
| "The Custom-House" introduction to "The Scarlet Letter" | contextualization of the main novel ⓘ |
| Herr, unser Herrscher | introduces theological and emotional tone of the work via predicate surface "functionInPassion" ⓘ |
| Aria da capo | theme for Goldberg Variations ⓘ |
|
Tale of the Miller and His Wife
linked to:
Tale of the miller and his wife
|
to exemplify the dangers of domestic discord ⓘ |
|
Tale of the Miller and His Wife
linked to:
Tale of the miller and his wife
|
to provide a cautionary tale about marriage ⓘ |
| Sir Hugh Evans | satire of clerical pedantry ⓘ |
| Sir Hugh Evans | representation of Welsh stereotype in Elizabethan drama ⓘ |
| Great Mountain | to exalt Enlil’s supremacy via predicate surface "functionInTexts" ⓘ |
| Great Mountain | to emphasize Enlil’s foundational cosmic role via predicate surface "functionInTexts" ⓘ |
| The Weeknd – My Dear Melancholy tour interludes (live usage) | bridge between full songs via predicate surface "functionInShow" ⓘ |
| The Weeknd – My Dear Melancholy tour interludes (live usage) | support setlist flow via predicate surface "functionInShow" ⓘ |
| The Weeknd – My Dear Melancholy tour interludes (live usage) | underscore visual production moments via predicate surface "functionInShow" ⓘ |
| self-portrait of Caravaggio as a lantern-bearing figure | illumination of arrest scene via predicate surface "functionInComposition" ⓘ |
| Socrates and Critobulus | frame the inquiry into household management ⓘ |
| Socrates and Critobulus | explore the meaning of wealth ⓘ |
| Socrates and Critobulus | examine practical ethics in domestic life ⓘ |
| Alciphron | spokesman for skeptical arguments ⓘ |
| Alciphron | foil for Christian apologetics ⓘ |
|
Lord of the Swastika
linked to:
fictional novel Lord of the Swastika
|
parody of fascist power fantasies ⓘ |
|
Lord of the Swastika
linked to:
fictional novel Lord of the Swastika
|
vehicle for critique of Nazi ideology ⓘ |
| IV. Urlicht | transition between scherzo and finale via predicate surface "functionInSymphony" ⓘ |
| IV. Urlicht | spiritual and emotional preparation for the finale via predicate surface "functionInSymphony" ⓘ |
|
Urlicht
linked to:
fourth movement "Urlicht"
|
spiritual turning point via predicate surface "functionInSymphony" ⓘ |
|
Urlicht
linked to:
fourth movement "Urlicht"
|
emotional turning point via predicate surface "functionInSymphony" ⓘ |
| Hungarian March | depicts Faust’s arrival in Hungary via predicate surface "inWorkDramaticFunction" ⓘ |
| Capricci for solo violin (within Op. 3) | virtuosic solo episodes within concertos ⓘ |
| Prologue (movement) | sets overall tone ⓘ |
| Prologue (movement) | introduces jazzy neoclassical character ⓘ |
|
Das himmlische Leben
linked to:
song “Das himmlische Leben”
|
finale of Mahler’s Symphony No. 4 ⓘ |
|
The Jester (segment)
linked to:
The Jester
|
introduces themes of art and power ⓘ |
|
The Jester (segment)
linked to:
The Jester
|
foreshadows fate of artists ⓘ |
| Сатин | носитель философских идей автора via predicate surface "функцияВПроизведении" ⓘ |
| Сатин | выразитель ключевых идей пьесы via predicate surface "функцияВПроизведении" ⓘ |
| Сатин | идеологический центр пьесы via predicate surface "функцияВПроизведении" ⓘ |
| Requiem et Kyrie | introduces liturgical text ⓘ |
| Requiem et Kyrie | establishes dramatic atmosphere ⓘ |
| Book I (Vox Clamantis) | sets thematic foundation ⓘ |
| Book I (Vox Clamantis) | sets narrative foundation ⓘ |
| Franz Liszt Consolation No. 3 in D-flat major (A-flat major section) | contrasting middle section via predicate surface "functionWithinWork" ⓘ |
| The General Prologue | introduces pilgrims ⓘ |