positionInShow
P15235
predicate
Indicates the specific order or placement an entity occupies within a show, series, or sequence of performances or episodes.
All labels observed (9)
| Label | Occurrences |
|---|---|
| positionInShow canonical | 93 |
| positionInOpera | 10 |
| runningOrderPosition | 7 |
| placementInShow | 6 |
| dramaticPositionInShow | 1 |
| positionInFlashLegacy | 1 |
| positionInStageShow | 1 |
| positionOfFirstPresenter | 1 |
| showStructurePosition | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: positionInShow
Generated description
Indicates the specific order or placement an entity occupies within a show, series, or sequence of performances or episodes.
Sample triples (121)
| Subject | Object |
|---|---|
| Lonely Room | Act I ⓘ |
| Many a New Day | sung by Laurey after Curly appears to reject her ⓘ |
| People Will Say We're in Love | Act I ⓘ |
| Oh, What a Beautiful Mornin' | opening song ⓘ |
|
Nessun dorma
linked to:
"Nessun dorma"
|
early in Act III via predicate surface "positionInOpera" ⓘ |
| This Nearly Was Mine | Act II ⓘ |
| On My Own | Act II via predicate surface "placementInShow" ⓘ |
|
"Stars" (Les Misérables musical)
linked to:
“Stars” (Les Misérables musical)
|
Act I or early Act II (varies by production) ⓘ |
| Defying Gravity | finale of Act I ⓘ |
| The I Love You Song | second act ⓘ |
| For Forever | Act I ⓘ |
|
Requiem (Dear Evan Hansen song)
linked to:
Requiem
|
Act I song ⓘ |
| Words Fail | Act II ⓘ |
|
Light (Next to Normal)
linked to:
Light
|
closing number ⓘ |
| My Shot | early Act I number in Hamilton ⓘ |
| The Schuyler Sisters | Act I ⓘ |
| Wait For It | Aaron Burr’s major solo number in Act 1 ⓘ |
| The Room Where It Happens | major turning point for Aaron Burr’s character arc ⓘ |
| Helpless | Act 1 ⓘ |
| It’s Quiet Uptown | Act 2 ⓘ |
| A Message to Your Heart | 7 via predicate surface "runningOrderPosition" ⓘ |
| Italy at Eurovision Song Contest 1976 | 3 via predicate surface "runningOrderPosition" ⓘ |
| Still Hurting | opening number ⓘ |
| Still Hurting | first song ⓘ |
| See I’m Smiling | Cathy’s solo number ⓘ |
| Moving Too Fast | early in The Last Five Years via predicate surface "showStructurePosition" ⓘ |
| The Schmuel Song | Act I ⓘ |
| Nobody Needs to Know | near the end of the musical ⓘ |
| If I Were a Rich Man | early solo for Tevye ⓘ |
| Superstar | near the end of the musical ⓘ |
| Heaven on Their Minds | opening number ⓘ |
| Everything's Alright | early in Act I of Jesus Christ Superstar ⓘ |
| None shall sleep | Act III via predicate surface "positionInOpera" ⓘ |
| Rose’s Turn | near the end of the second act ⓘ |
| Children Will Listen | finale section ⓘ |
| Hufeisenplan |
German Federal Minister of Defence
via predicate surface "positionOfFirstPresenter"
ⓘ
linked to:
Federal Minister of Defence of Germany
|
| I See Stars | finale number ⓘ |
| Think of Me | early Act I aria ⓘ |
| Big, Blonde and Beautiful | Act I number ⓘ |
| The History of Wrong Guys | Act I number ⓘ |
| Everybody Say Yeah | Act I finale ⓘ |
| Raise You Up / Just Be | final number ⓘ |
| This Is the Moment | Act I ⓘ |
| A New Life | late in second act ⓘ |
| A New Argentina | end of Act I in many stage productions of Evita ⓘ |
| For Good | Act II ⓘ |
| For Good | near the end of the musical ⓘ |
| If He Walked Into My Life | second act via predicate surface "placementInShow" ⓘ |
| The Wizard and I | early Act I number ⓘ |
| Is Anybody There? | late in the musical ⓘ |