narrativeFeature
P11913
predicate
Indicates that one element functions as a narrative-related characteristic, device, or structural component of another.
All labels observed (4)
| Label | Occurrences |
|---|---|
| narrativeFeature canonical | 200 |
| narrativeFeatures | 15 |
| narrativeUniverseFeature | 1 |
| visualNarrative | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: narrativeFeature
Generated description
Indicates that one element functions as a narrative-related characteristic, device, or structural component of another.
Sample triples (217)
| Subject | Object |
|---|---|
| Lights of New York (1928 film) | yes ⓘ |
| The Hitchhiker's Guide to the Galaxy (stage show) | absurd intergalactic adventures ⓘ |
| The Grateful Servant | intricate plot ⓘ |
| The Grateful Servant | disguises and misunderstandings ⓘ |
| The Grateful Servant | tests of loyalty ⓘ |
| The Corsican Brothers | separated at birth ⓘ |
| The Corsican Brothers | dueling ⓘ |
| The Corsican Brothers | revenge ⓘ |
| The Corsican Brothers | brotherhood ⓘ |
| Surah An-Naml | story of Moses and the burning bush ⓘ |
| Surah An-Naml | story of Moses and Pharaoh ⓘ |
| Surah An-Naml | story of Prophet Solomon and the ants ⓘ |
| Surah An-Naml | story of Prophet Solomon and the hoopoe bird ⓘ |
| Surah An-Naml | story of Prophet Solomon and the Queen of Sheba ⓘ |
| Surah An-Naml | story of the people of Thamud and Prophet Salih ⓘ |
| Surah An-Naml | story of the people of Lot ⓘ |
| Surah An-Naml | story of the people of Madyan ⓘ |
| DC Extended Universe | interconnected storylines ⓘ |
| DC Extended Universe | recurring characters ⓘ |
| Annie Hall | breaking the fourth wall ⓘ |
| Annie Hall | nonlinear narrative ⓘ |
| Annie Hall | direct address to camera ⓘ |
| Annie Hall | fantasy sequences ⓘ |
| Annie Hall | subtitled internal monologue ⓘ |
| Some Like It Hot | disguised as women ⓘ |
| Some Like It Hot | musician protagonists ⓘ |
| The Honorable Gentleman | twist ending ⓘ |
| Serenity (2019 film) | plotTwist ⓘ |
| Serenity (2019 film) | genre-bending narrative ⓘ |
| The Ebony Horse | frame tale within The Arabian Nights ⓘ |
| The Village | twist ending ⓘ |
| The Village | atmospheric tension ⓘ |
| The Village | use of fear and superstition ⓘ |
| Where Have All the Flowers Gone? | depicts generational cycle from flowers to soldiers to graves ⓘ |
| The Twin Pawns | yes ⓘ |
| The Great Escape | ensemble cast ⓘ |
| The Great Escape | mass escape plot ⓘ |
| The Awakening of Adonis | moment of awakening via predicate surface "visualNarrative" ⓘ |
| Sumerian King List | improbably long reigns ⓘ |
| Sumerian King List | transition from mythical to historical kings ⓘ |
| Sumerian King List | kingship descending from heaven ⓘ |
| The House of the Seven Gables (1917 film) | adaptation of classic American literature ⓘ |
| Samia | misunderstandings ⓘ |
| Samia | mistaken assumptions about parentage ⓘ |
| Samia | recognition scene ⓘ |
| The Way of the World (stage) | witty dialogue ⓘ |
| The Way of the World (stage) | intricate plot ⓘ |
| If.... | surreal style ⓘ |
| If.... | use of fantasy sequences ⓘ |
| If.... | mix of color and black-and-white cinematography ⓘ |