Piano Concerto No. 4
E887956
Piano Concerto No. 4 is a Romantic-era concerto for piano and orchestra by Camille Saint-Saëns, admired for its inventive structure and virtuosic yet lyrical writing.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Piano Concerto No. 4 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T10793906 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Piano Concerto No. 4 Context triple: [Camille Saint-Saëns, notableWork, Piano Concerto No. 4]
-
A.
Piano Concerto No. 4 in D minor, Op. 70
Piano Concerto No. 4 in D minor, Op. 70 is a large-scale Romantic concerto by Anton Rubinstein, known for its virtuosic piano writing and dramatic, symphonic character.
-
B.
Piano Concerto No. 2
Piano Concerto No. 2 is a mid-20th-century concerto for piano and orchestra by American composer Ned Rorem, noted for its lyrical, neo-Romantic style and expressive orchestration.
-
C.
Piano Concerto No. 2
Piano Concerto No. 2 is a lively and accessible concerto for piano and orchestra by Dmitri Shostakovich, celebrated for its lyrical slow movement and playful outer movements.
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D.
Piano Concerto No. 2
Piano Concerto No. 2 is a celebrated Romantic-era concerto by Camille Saint-Saëns, renowned for its virtuosic piano writing, dramatic contrasts, and lyrical beauty.
-
E.
Piano Concerto, Op. 38
Piano Concerto, Op. 38 is a 1962 virtuosic concerto for piano and orchestra by American composer Samuel Barber, noted for its lyrical intensity and modern yet accessible harmonic language.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Piano Concerto No. 4 Target entity description: Piano Concerto No. 4 is a Romantic-era concerto for piano and orchestra by Camille Saint-Saëns, admired for its inventive structure and virtuosic yet lyrical writing.
-
A.
Piano Concerto No. 4 in D minor, Op. 70
Piano Concerto No. 4 in D minor, Op. 70 is a large-scale Romantic concerto by Anton Rubinstein, known for its virtuosic piano writing and dramatic, symphonic character.
-
B.
Piano Concerto No. 2
Piano Concerto No. 2 is a mid-20th-century concerto for piano and orchestra by American composer Ned Rorem, noted for its lyrical, neo-Romantic style and expressive orchestration.
-
C.
Piano Concerto No. 2
Piano Concerto No. 2 is a lively and accessible concerto for piano and orchestra by Dmitri Shostakovich, celebrated for its lyrical slow movement and playful outer movements.
-
D.
Piano Concerto No. 2
Piano Concerto No. 2 is a celebrated Romantic-era concerto by Camille Saint-Saëns, renowned for its virtuosic piano writing, dramatic contrasts, and lyrical beauty.
-
E.
Piano Concerto, Op. 38
Piano Concerto, Op. 38 is a 1962 virtuosic concerto for piano and orchestra by American composer Samuel Barber, noted for its lyrical intensity and modern yet accessible harmonic language.
- F. None of above. chosen
Statements (44)
| Predicate | Object |
|---|---|
| instanceOf | piano concerto ⓘ |
| alsoKnownAs | Saint-Saëns Piano Concerto No. 4 in C minor, Op. 44 ⓘ |
| catalogNumber | Op. 44 ⓘ |
| composer | Camille Saint-Saëns ⓘ |
| countryOfOrigin | France ⓘ |
| dedicatedTo | Anton Door ⓘ |
| era | late 19th century ⓘ |
| followedBy | Piano Concerto No. 5 ⓘ |
| genre | concerto for piano and orchestra ⓘ |
| hasOpusNumber | 44 ⓘ |
| hasOrchestralAccompaniment | yes ⓘ |
| hasSoloInstrument | piano ⓘ |
| historicalContext | composed after Franco-Prussian War ⓘ |
| influencedBy |
Franz Liszt
ⓘ
Robert Schumann ⓘ |
| key | C minor ⓘ |
| languageOfWork | musical notation ⓘ |
| movement |
First movement: Allegro moderato
ⓘ
Second movement: Allegro vivace ⓘ |
| notableFeature |
complex thematic relationships between sections
ⓘ
integration of movements into a continuous design ⓘ |
| notableRecording |
Artur Rubinstein with the Philadelphia Orchestra conducted by Eugene Ormandy
ⓘ
Stephen Hough with the City of Birmingham Symphony Orchestra conducted by Sakari Oramo ⓘ |
| numberOfMovements | 2 ⓘ |
| partOf | Saint-Saëns piano concertos ⓘ |
| period | Romantic era ⓘ |
| positionInSeries | 4 ⓘ |
| precededBy | Piano Concerto No. 3 ⓘ |
| premiereConductor | Camille Saint-Saëns ⓘ |
| premiereDate | 1875 ⓘ |
| premiereLocation | Paris ⓘ |
| premierePerformer | Camille Saint-Saëns ⓘ |
| publisher | Durand ⓘ |
| scoredFor |
orchestra
ⓘ
piano ⓘ |
| structureCharacteristic |
cyclical form
ⓘ
thematic transformation ⓘ |
| styleCharacteristic |
innovative structure
ⓘ
lyrical writing ⓘ virtuosic writing ⓘ |
| tonality | C minor ⓘ |
| typicalPerformanceDuration | 30 minutes ⓘ |
| workType |
orchestral work
ⓘ
solo instrument with orchestra ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Piano Concerto No. 4 Description of subject: Piano Concerto No. 4 is a Romantic-era concerto for piano and orchestra by Camille Saint-Saëns, admired for its inventive structure and virtuosic yet lyrical writing.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.