Puerta del Perdón
E873472
Puerta del Perdón is a historically significant Romanesque portal of the Basilica of San Isidoro in León, Spain, noted for its sculpted reliefs and association with medieval pilgrimage traditions.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Puerta del Perdón canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T10594670 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Puerta del Perdón Context triple: [Basilica of San Isidoro, hasPortal, Puerta del Perdón]
-
A.
Puerta del Perdón
Puerta del Perdón is a principal and richly decorated entrance portal of Toledo Cathedral, notable for its elaborate Gothic architecture and historical significance.
-
B.
Puerta de la Misericordia
Puerta de la Misericordia is a historic 16th-century city gate in Santo Domingo, Dominican Republic, notable as one of the earliest entrances to the colonial walled city and a symbol of the nation’s early urban and military architecture.
-
C.
Puerta del Príncipe
Puerta del Príncipe is the ceremonial main gate of Seville’s Plaza de Toros de la Maestranza, traditionally used for triumphant bullfighters to exit in honor.
-
D.
Puerta del Conde
Puerta del Conde is a historic colonial-era gate in Santo Domingo that served as a principal entrance to the fortified city and a symbolic site of Dominican independence.
-
E.
Puerta de San Andres
Puerta de San Andres is a historic gate of the old walled city of Intramuros in Manila, Philippines, serving as one of its fortified entrances.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Puerta del Perdón Target entity description: Puerta del Perdón is a historically significant Romanesque portal of the Basilica of San Isidoro in León, Spain, noted for its sculpted reliefs and association with medieval pilgrimage traditions.
-
A.
Puerta del Perdón
Puerta del Perdón is a principal and richly decorated entrance portal of Toledo Cathedral, notable for its elaborate Gothic architecture and historical significance.
-
B.
Puerta de la Misericordia
Puerta de la Misericordia is a historic 16th-century city gate in Santo Domingo, Dominican Republic, notable as one of the earliest entrances to the colonial walled city and a symbol of the nation’s early urban and military architecture.
-
C.
Puerta del Príncipe
Puerta del Príncipe is the ceremonial main gate of Seville’s Plaza de Toros de la Maestranza, traditionally used for triumphant bullfighters to exit in honor.
-
D.
Puerta del Conde
Puerta del Conde is a historic colonial-era gate in Santo Domingo that served as a principal entrance to the fortified city and a symbolic site of Dominican independence.
-
E.
Puerta de San Andres
Puerta de San Andres is a historic gate of the old walled city of Intramuros in Manila, Philippines, serving as one of its fortified entrances.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
Romanesque portal
ⓘ
architectural element ⓘ |
| adjacentTo | western façade of the Basilica of San Isidoro ⓘ |
| architecturalStyle | Romanesque ⓘ |
| associatedWith |
Basilica of San Isidoro cloister
ⓘ
linked to:
Basilica of San Isidoro
Royal Pantheon of San Isidoro ⓘ
linked to:
Basilica of San Isidoro
Way of St. James ⓘ
linked to:
Way of St James
medieval pilgrimage ⓘ |
| city | León ⓘ |
| constructionPeriod | 12th century ⓘ |
| country | Spain ⓘ |
| decorativeProgram |
Christological scenes
ⓘ
Passion of Christ ⓘ Resurrection ⓘ |
| era | Middle Ages ⓘ |
| function |
ceremonial entrance
ⓘ
pilgrims’ entrance ⓘ |
| hasArtisticStyle | Romanesque sculpture ⓘ |
| hasPart |
archivolts
ⓘ
capitals ⓘ jambs ⓘ tympanum ⓘ |
| hasRelief |
Apostles
ⓘ
Christ in Majesty ⓘ Old Testament figures ⓘ The Descent from the Cross ⓘ The Last Supper ⓘ The Three Marys at the Tomb ⓘ
linked to:
Three Marys of the Gospels
angels ⓘ |
| heritageDesignation | Bien de Interés Cultural ⓘ |
| iconographicType | tympanum with sculpted reliefs ⓘ |
| languageOfName | Spanish ⓘ |
| locatedIn |
Basilica of San Isidoro
ⓘ
Castile and León ⓘ León ⓘ Spain ⓘ |
| material | stone ⓘ |
| namedAfter | concept of forgiveness ⓘ |
| partOf |
Basilica of San Isidoro complex
ⓘ
linked to:
Basilica of San Isidoro
|
| religiousAffiliation |
Roman Catholic Church
ⓘ
linked to:
Roman Catholicism
|
| significance |
important example of Spanish Romanesque sculpture
ⓘ
key monument on the Camino de Santiago route through León ⓘ |
| theme |
Christ’s Passion
ⓘ
linked to:
Passion of Jesus
forgiveness of sins ⓘ salvation ⓘ |
| touristAttraction | yes ⓘ |
| translationOfName | Door of Forgiveness ⓘ |
| usedBy | medieval pilgrims to Santiago de Compostela ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Puerta del Perdón Description of subject: Puerta del Perdón is a historically significant Romanesque portal of the Basilica of San Isidoro in León, Spain, noted for its sculpted reliefs and association with medieval pilgrimage traditions.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.