Polyptych of Pisa

E871027

The Polyptych of Pisa is a renowned early 15th-century altarpiece by Masaccio that exemplifies the transition from Gothic to Renaissance painting through its innovative use of perspective and naturalism.

All labels observed (1)

Label Occurrences
Polyptych of Pisa canonical 1

How this entity was disambiguated

Statements (46)

Predicate Object
instanceOf altarpiece ⓘ
polyptych ⓘ
artHistoricalSignificance key work in the development of Renaissance painting ⓘ
artist Masaccio ⓘ
artisticPeriod Quattrocento ⓘ
commissionedBy Carmelite order in Pisa ⓘ
completionDate 1426 ⓘ
conservationStatus panels dispersed ⓘ
countryOfOrigin Italy ⓘ
creator Masaccio ⓘ
culturalContext Italian city-state religious patronage ⓘ
currentState dismembered altarpiece ⓘ
depictionForm panel painting ⓘ
depicts Christ Child ⓘ
linked to: Child Jesus

Virgin Mary ⓘ
saints ⓘ
scenes from the life of Christ ⓘ
genre religious painting ⓘ
hasInfluenceOn development of linear perspective in painting ⓘ
hasPart central Madonna and Child panel ⓘ
predella panels ⓘ
side panels with saints ⓘ
iconographicType Madonna and Child with saints ⓘ
inception 1426 ⓘ
influenced later Renaissance painters ⓘ
influencedBy late Gothic painting ⓘ
languageOfWork visual ⓘ
location various museums ⓘ
materialUsed gold leaf ⓘ
tempera ⓘ
movement Early Renaissance ⓘ
notableFor innovative use of perspective ⓘ
naturalistic figures ⓘ
realistic light and shadow ⓘ
volumetric modeling of forms ⓘ
originalFunction high altarpiece ⓘ
originalLocation church of Santa Maria del Carmine, Pisa ⓘ
partOf Italian Renaissance art ⓘ
placeOfProduction Tuscany ⓘ
religion Christianity ⓘ
school Florentine school ⓘ
style transitional between Gothic and Renaissance ⓘ
support wood panel ⓘ
technique egg tempera on panel ⓘ
timePeriod early 15th century ⓘ
use liturgical ⓘ

How these facts were elicited

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Masaccio → notableWork → Polyptych of Pisa ⓘ