Symphony No. 7

E844623

programmatic composition symphony

Symphony No. 7 is a large-scale orchestral work by Ralph Vaughan Williams, adapted from his film score for "Scott of the Antarctic" and notable for its evocative depiction of polar landscapes.

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All labels observed (2)

Label	Occurrences
Symphony No. 7 canonical	3
Symphony No. 7 in E minor	1

How this entity was disambiguated

This entity first appeared as the object of triple T10088321 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.

NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07

Target entity: Symphony No. 7
Context triple: [Symphony No. 7 "Sinfonia antartica", catalogNumber, Symphony No. 7]

A. Symphony No. 7
Symphony No. 7 is a large-scale orchestral work by British composer Malcolm Arnold, reflecting his distinctive blend of vivid orchestration, emotional intensity, and accessible modernism.
B. Symphony No. 7
Symphony No. 7 is a large-scale orchestral work by British composer Peter Maxwell Davies, reflecting his distinctive modernist style and interest in symphonic tradition.
C. Symphony No. 7 in E minor
Symphony No. 7 in E minor is a large-scale, five-movement orchestral work by Gustav Mahler, noted for its complex structure, darkly enigmatic character, and innovative orchestration.
D. Symphony No. 6
Symphony No. 6 is Pyotr Ilyich Tchaikovsky’s final symphony, renowned for its intense emotional depth and tragic character.
E. Symphony No. 6
Symphony No. 6 is Gustav Mahler’s intensely dramatic and often tragic orchestral work, renowned for its emotional depth, powerful orchestration, and the iconic “hammer blows” in its finale.
F. None of above. chosen
G. Unsure - the case is ambiguous/there is not enough information to decide.

NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07

Target entity: Symphony No. 7
Target entity description: Symphony No. 7 is a large-scale orchestral work by Ralph Vaughan Williams, adapted from his film score for "Scott of the Antarctic" and notable for its evocative depiction of polar landscapes.

A. Symphony No. 7
Symphony No. 7 is a large-scale orchestral work by British composer Malcolm Arnold, reflecting his distinctive blend of vivid orchestration, emotional intensity, and accessible modernism.
B. Symphony No. 7
Symphony No. 7 is a large-scale orchestral work by British composer Peter Maxwell Davies, reflecting his distinctive modernist style and interest in symphonic tradition.
C. Symphony No. 7 in E minor
Symphony No. 7 in E minor is a large-scale, five-movement orchestral work by Gustav Mahler, noted for its complex structure, darkly enigmatic character, and innovative orchestration.
D. Symphony No. 6
Symphony No. 6 is Pyotr Ilyich Tchaikovsky’s final symphony, renowned for its intense emotional depth and tragic character.
E. Symphony No. 6
Symphony No. 6 is Gustav Mahler’s intensely dramatic and often tragic orchestral work, renowned for its emotional depth, powerful orchestration, and the iconic “hammer blows” in its finale.
F. None of above. chosen

Statements (47)

Predicate	Object
instanceOf	programmatic composition ⓘ symphony ⓘ
alsoKnownAs	Sinfonia antartica ⓘ
basedOn	film score for Scott of the Antarctic ⓘ
cataloguePosition	one of Vaughan Williams’s late symphonies ⓘ
composer	Ralph Vaughan Williams ⓘ
compositionPeriod	early 1950s ⓘ
countryOfOrigin	United Kingdom ⓘ
dedicatedTo	(information not certain; often associated with Scott and his companions) ⓘ
era	20th century ⓘ
firstPerformanceLocation	United Kingdom (exact city not specified here) ⓘ
genre	classical music ⓘ symphonic music ⓘ
hasChorus	yes ⓘ
hasEpigraphs	literary quotations preceding movements ⓘ
hasTextedVoices	wordless vocalization rather than full text ⓘ
inCatalogueOf	works of Ralph Vaughan Williams ⓘ
inspiredBy	Antarctic expeditions of Robert Falcon Scott ⓘ linked to: British Antarctic Expedition
key	E minor (approximate overall tonal center) ⓘ
languageOfText	Latin (for some epigraphs and choral elements) ⓘ
movement	Epilogue ⓘ Intermezzo ⓘ Landscape ⓘ Prelude ⓘ Scherzo ⓘ
movementCount	5 ⓘ
notableFor	evocative depiction of polar landscapes ⓘ use of organ in the orchestral texture ⓘ use of wordless chorus ⓘ
numberInSeries	7 ⓘ
orchestrationFeature	celesta ⓘ large orchestra ⓘ organ ⓘ percussion emphasizing icy atmosphere ⓘ piano ⓘ wind machine ⓘ wordless female chorus ⓘ
partOf	symphonies of Ralph Vaughan Williams ⓘ
premiereYear	1953 ⓘ
relatedWork	film Scott of the Antarctic ⓘ
relatedWorkType	adaptation of film score ⓘ
style	20th-century tonal ⓘ English symphonic tradition ⓘ
subjectMatter	Antarctic landscape ⓘ Scott’s Antarctic expedition ⓘ human struggle against nature ⓘ
typicalDuration	approximately 45 minutes ⓘ