The Man Who Knew Too Much (film score)
E840848
The Man Who Knew Too Much (film score) is a notable film soundtrack composed by Arthur Benjamin for Alfred Hitchcock’s thriller, best known for its dramatic orchestral music featured in the climactic concert hall sequence.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Man Who Knew Too Much (film score) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T10089018 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Man Who Knew Too Much (film score) Context triple: [Arthur Benjamin, notableWork, The Man Who Knew Too Much (film score)]
-
A.
North by Northwest (1959 film) score
The "North by Northwest" (1959) score is Bernard Herrmann’s iconic, suspenseful orchestral soundtrack that heightens the film’s tension and adventure and is regarded as one of the classic achievements in film music.
-
B.
The Guardian (film score)
The Guardian (film score) is a dramatic orchestral and electronic soundtrack composed by Trevor Rabin for the 2006 U.S. Coast Guard rescue drama film "The Guardian."
-
C.
The Man from U.N.C.L.E. (2015 film score)
The Man from U.N.C.L.E. (2015 film score) is a stylish, retro-influenced soundtrack by composer Daniel Pemberton that blends jazz, spy-thriller motifs, and 1960s-inspired orchestration for the Guy Ritchie film.
-
D.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
E.
The Tenth Man (TV film score)
The Tenth Man (TV film score) is a television film soundtrack composed by Lee Holdridge, known for its dramatic orchestral style that supports the adaptation of Graham Greene’s story.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Man Who Knew Too Much (film score) Target entity description: The Man Who Knew Too Much (film score) is a notable film soundtrack composed by Arthur Benjamin for Alfred Hitchcock’s thriller, best known for its dramatic orchestral music featured in the climactic concert hall sequence.
-
A.
North by Northwest (1959 film) score
The "North by Northwest" (1959) score is Bernard Herrmann’s iconic, suspenseful orchestral soundtrack that heightens the film’s tension and adventure and is regarded as one of the classic achievements in film music.
-
B.
The Guardian (film score)
The Guardian (film score) is a dramatic orchestral and electronic soundtrack composed by Trevor Rabin for the 2006 U.S. Coast Guard rescue drama film "The Guardian."
-
C.
The Man from U.N.C.L.E. (2015 film score)
The Man from U.N.C.L.E. (2015 film score) is a stylish, retro-influenced soundtrack by composer Daniel Pemberton that blends jazz, spy-thriller motifs, and 1960s-inspired orchestration for the Guy Ritchie film.
-
D.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
E.
The Tenth Man (TV film score)
The Tenth Man (TV film score) is a television film soundtrack composed by Lee Holdridge, known for its dramatic orchestral style that supports the adaptation of Graham Greene’s story.
- F. None of above. chosen
Statements (32)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
orchestral work ⓘ |
| associatedWith | Alfred Hitchcock ⓘ |
| associatedWithDirector | Alfred Hitchcock ⓘ |
| associatedWithGenre | thriller film ⓘ |
| basedOn | screenplay of The Man Who Knew Too Much (film) ⓘ |
| commissionedFor |
Alfred Hitchcock
ⓘ
thriller film ⓘ |
| composer | Arthur Benjamin ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| featuredInScene | concert hall climax ⓘ |
| genre |
classical music
ⓘ
film music ⓘ orchestral music ⓘ |
| hasComposer | Arthur Benjamin ⓘ |
| hasInstrumentation |
brass
ⓘ
percussion ⓘ strings ⓘ woodwinds ⓘ |
| hasStyle | late Romantic orchestral style ⓘ |
| hasTitle |
The Man Who Knew Too Much
ⓘ
linked to:
The Man Who Knew Too Much (1956 film)
|
| hasType |
film soundtrack
ⓘ
soundtrack ⓘ |
| isSoundtrackOf |
The Man Who Knew Too Much (film)
ⓘ
linked to:
The Man Who Knew Too Much (1956 film)
|
| language | instrumental ⓘ |
| medium | symphony orchestra ⓘ |
| notableFor |
dramatic orchestral music
ⓘ
use in climactic concert hall sequence ⓘ |
| partOf |
The Man Who Knew Too Much (film)
ⓘ
linked to:
The Man Who Knew Too Much (1956 film)
|
| usedFor |
dramatic tension
ⓘ
suspense building ⓘ |
| usedIn |
The Man Who Knew Too Much (film)
ⓘ
linked to:
The Man Who Knew Too Much (1956 film)
|
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: The Man Who Knew Too Much (film score) Description of subject: The Man Who Knew Too Much (film score) is a notable film soundtrack composed by Arthur Benjamin for Alfred Hitchcock’s thriller, best known for its dramatic orchestral music featured in the climactic concert hall sequence.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.