Strange Days (film score)
E829814
Strange Days (film score) is the atmospheric, industrial-tinged soundtrack composed by Graeme Revell for Kathryn Bigelow’s 1995 science fiction thriller "Strange Days."
All labels observed (1)
| Label | Occurrences |
|---|---|
| Strange Days (film score) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T9919951 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Strange Days (film score) Context triple: [Graeme Revell, notableWork, Strange Days (film score)]
-
A.
Days of Being Wild (film score)
Days of Being Wild (film score) is the atmospheric, melancholic musical soundtrack composed by Shigeru Umebayashi for Wong Kar-wai’s 1990 romantic drama film "Days of Being Wild."
-
B.
Blade Runner (film score)
Blade Runner (film score) is Vangelis’s influential, atmospheric electronic soundtrack for the 1982 science fiction film Blade Runner, renowned for its moody synth textures and enduring impact on film music.
-
C.
Mo' Better Blues (film score)
Mo' Better Blues (film score) is a jazz-infused soundtrack composed for Spike Lee’s 1990 film, featuring Terence Blanchard’s trumpet work and blending traditional and contemporary jazz styles.
-
D.
Deep Blue Sea (film score)
Deep Blue Sea (film score) is the suspenseful, action-driven musical soundtrack composed by Trevor Rabin for the 1999 science fiction horror film "Deep Blue Sea."
-
E.
Varèse Sarabande
Varèse Sarabande is a record label renowned for releasing film and television soundtracks and scores.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Strange Days (film score) Target entity description: Strange Days (film score) is the atmospheric, industrial-tinged soundtrack composed by Graeme Revell for Kathryn Bigelow’s 1995 science fiction thriller "Strange Days."
-
A.
Days of Being Wild (film score)
Days of Being Wild (film score) is the atmospheric, melancholic musical soundtrack composed by Shigeru Umebayashi for Wong Kar-wai’s 1990 romantic drama film "Days of Being Wild."
-
B.
Blade Runner (film score)
Blade Runner (film score) is Vangelis’s influential, atmospheric electronic soundtrack for the 1982 science fiction film Blade Runner, renowned for its moody synth textures and enduring impact on film music.
-
C.
Mo' Better Blues (film score)
Mo' Better Blues (film score) is a jazz-infused soundtrack composed for Spike Lee’s 1990 film, featuring Terence Blanchard’s trumpet work and blending traditional and contemporary jazz styles.
-
D.
Deep Blue Sea (film score)
Deep Blue Sea (film score) is the suspenseful, action-driven musical soundtrack composed by Trevor Rabin for the 1999 science fiction horror film "Deep Blue Sea."
-
E.
Varèse Sarabande
Varèse Sarabande is a record label renowned for releasing film and television soundtracks and scores.
- F. None of above. chosen
Statements (33)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack album ⓘ |
| associatedWithDirector | Kathryn Bigelow ⓘ |
| basedOnGenreOfFilm | science fiction thriller ⓘ |
| composer | Graeme Revell ⓘ |
| composerFullName | Graeme Revell ⓘ |
| composerNationality | New Zealand ⓘ |
| countryOfOrigin |
United States
ⓘ
linked to:
United States of America
|
| depicts | near-future Los Angeles ⓘ |
| forWork |
Strange Days (film)
ⓘ
linked to:
Strange Days
|
| genre |
ambient
ⓘ
electronic ⓘ film score ⓘ industrial ⓘ soundtrack ⓘ |
| hasAtmosphere |
dark
ⓘ
futuristic ⓘ industrial-tinged ⓘ |
| language | instrumental ⓘ |
| medium | film ⓘ |
| partOf |
Strange Days (franchise)
ⓘ
linked to:
Strange Days
|
| primaryInstrumentation |
electronic percussion
ⓘ
orchestral elements ⓘ synthesizers ⓘ |
| releaseYear | 1995 ⓘ |
| style |
atmospheric
ⓘ
rhythmic ⓘ textural ⓘ |
| supportsNarrativeThemes |
memory
ⓘ
social unrest ⓘ surveillance ⓘ technology ⓘ |
| usedIn |
Strange Days (film)
ⓘ
linked to:
Strange Days
|
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Strange Days (film score) Description of subject: Strange Days (film score) is the atmospheric, industrial-tinged soundtrack composed by Graeme Revell for Kathryn Bigelow’s 1995 science fiction thriller "Strange Days."
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.