Symphony No. 5
E764008
Symphony No. 5 is a mid-20th-century symphonic work by Czech composer Bohuslav Martinů, noted for its vibrant orchestration and blend of neoclassical clarity with expressive modern harmonies.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Symphony No. 5 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T8788920 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Symphony No. 5 Context triple: [Bohuslav Martinů, notableWork, Symphony No. 5]
-
A.
Symphony No. 5
Symphony No. 5 is a large-scale orchestral work by British composer Peter Maxwell Davies, reflecting his distinctive modernist style and often noted for its complex structure and vivid orchestral color.
-
B.
Symphony No. 5
Symphony No. 5 is a contemporary orchestral work by American composer John Harbison, reflecting his modern yet accessible style and contribution to late-20th-century symphonic repertoire.
-
C.
Symphony No. 5
Symphony No. 5 is a landmark symphonic work by Dmitri Shostakovich, renowned for its dramatic intensity and often interpreted as a complex response to political oppression in the Soviet Union.
-
D.
Symphony No. 5
Symphony No. 5 is a mid-20th-century symphonic work by British composer Malcolm Arnold, noted for its emotional intensity and vivid orchestration.
-
E.
Symphony No. 5 in D major
Symphony No. 5 in D major is a serene and lyrical symphony by English composer Ralph Vaughan Williams, noted for its pastoral character and spiritual depth.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Symphony No. 5 Target entity description: Symphony No. 5 is a mid-20th-century symphonic work by Czech composer Bohuslav Martinů, noted for its vibrant orchestration and blend of neoclassical clarity with expressive modern harmonies.
-
A.
Symphony No. 5
Symphony No. 5 is a contemporary orchestral work by American composer John Harbison, reflecting his modern yet accessible style and contribution to late-20th-century symphonic repertoire.
-
B.
Symphony No. 5
Symphony No. 5 is a landmark symphonic work by Dmitri Shostakovich, renowned for its dramatic intensity and often interpreted as a complex response to political oppression in the Soviet Union.
-
C.
Symphony No. 5
Symphony No. 5 is a mid-20th-century symphonic work by British composer Malcolm Arnold, noted for its emotional intensity and vivid orchestration.
-
D.
Symphony No. 5
Symphony No. 5 is a large-scale orchestral work by British composer Peter Maxwell Davies, reflecting his distinctive modernist style and often noted for its complex structure and vivid orchestral color.
-
E.
Symphony No. 5 in D major
Symphony No. 5 in D major is a serene and lyrical symphony by English composer Ralph Vaughan Williams, noted for its pastoral character and spiritual depth.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf | symphony ⓘ |
| approximateDuration | about 30 minutes ⓘ |
| associatedComposer | Bohuslav Martinů ⓘ |
| catalogue |
Martinů thematic catalogue
ⓘ
linked to:
Halbreich catalogue of Martinů
|
| catalogueDesignation | H.310 in Halbreich catalogue ⓘ |
| composer | Bohuslav Martinů ⓘ |
| composerNationality | Czech ⓘ |
| compositionEndDate | 1946 ⓘ |
| compositionPeriod | mid-20th century ⓘ |
| compositionStartDate | 1946 ⓘ |
| countryOfOrigin |
United States
ⓘ
linked to:
United States of America
|
| era | modern era ⓘ |
| genre |
20th-century classical music
ⓘ
neoclassical music ⓘ symphonic music ⓘ |
| hasInstrumentation |
brass
ⓘ
percussion ⓘ possibly harp or piano (typical of Martinů) ⓘ strings ⓘ woodwinds ⓘ |
| historicalContext | post-World War II era ⓘ |
| key | B-flat major ⓘ |
| languageOfWork | none (instrumental) ⓘ |
| movement |
I. Adagio – Allegro
ⓘ
II. Larghetto ⓘ III. Lento ⓘ IV. Allegro ⓘ |
| notableCharacteristic |
clear formal design
ⓘ
contrasts of texture and color ⓘ rhythmic vitality ⓘ |
| numberOfMovements | 4 ⓘ |
| orchestration | vibrant ⓘ |
| orchestrationType | large orchestra ⓘ |
| orderInComposerSymphonies | fifth symphony ⓘ |
| partOf | cycle of six symphonies by Bohuslav Martinů ⓘ |
| placeOfComposition |
New York (approximate)
ⓘ
linked to:
New York City
United States ⓘ
linked to:
United States of America
|
| premiereCountry |
United States
ⓘ
linked to:
United States of America
|
| premiereDate | 1947 ⓘ |
| relatedWork |
Symphony No. 4 (Martinů)
ⓘ
Symphony No. 6 "Fantaisies symphoniques" (Martinů) ⓘ
linked to:
Symphony No. 6 "Fantaisies symphoniques"
|
| style |
expressive modern harmonies
ⓘ
neoclassical clarity ⓘ |
| tonalLanguage | tonal with modern harmonic elements ⓘ |
| workNumber | H. 310 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Symphony No. 5 Description of subject: Symphony No. 5 is a mid-20th-century symphonic work by Czech composer Bohuslav Martinů, noted for its vibrant orchestration and blend of neoclassical clarity with expressive modern harmonies.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.