Soviet science fiction cinema

E747515

Soviet science fiction cinema is a body of film, exemplified by works like Tarkovsky’s "Solaris," that blends speculative themes with philosophical, political, and existential inquiry, often using visually poetic and allegorical storytelling.

All labels observed (1)

Label Occurrences
Soviet science fiction cinema canonical 1

How this entity was disambiguated

Statements (68)

Predicate Object
instanceOf film movement ⓘ
science fiction cinema tradition ⓘ
author Arkady Strugatsky ⓘ
Boris Strugatsky ⓘ
Stanisław Lem ⓘ
basedOn Roadside Picnic ⓘ
Solaris (novel) ⓘ
countryOfOrigin Soviet Union ⓘ
Soviet Union ⓘ
Soviet Union ⓘ
Soviet Union ⓘ
Soviet Union ⓘ
Soviet Union ⓘ
Soviet Union ⓘ
Soviet Union ⓘ
developedInPeriod Soviet era ⓘ
director Andrei Tarkovsky ⓘ
Andrei Tarkovsky ⓘ
Gennadi Kazansky ⓘ
Georgiy Daneliya ⓘ
linked to: Georgy Daneliya

Konstantin Lopushansky ⓘ
Pavel Klushantsev ⓘ
Vladimir Chebotaryov ⓘ
Yakov Protazanov ⓘ
flourishedInDecade 1960s ⓘ
1970s ⓘ
1980s ⓘ
genre post-apocalyptic film ⓘ
science fiction ⓘ
science fiction comedy ⓘ
science fiction film ⓘ
science fiction film ⓘ
science fiction film ⓘ
science fiction film ⓘ
science fiction film ⓘ
science fiction film ⓘ
speculative fiction ⓘ
hasCharacteristic allegorical storytelling ⓘ
existential themes ⓘ
metaphorical narratives ⓘ
philosophical dialogue ⓘ
philosophical themes ⓘ
political themes ⓘ
slow pacing ⓘ
social commentary ⓘ
utopian and dystopian speculation ⓘ
visually poetic style ⓘ
influenced international art-house science fiction ⓘ
post-Soviet Russian science fiction cinema ⓘ
influencedBy Marxist–Leninist ideology ⓘ
Russian philosophical tradition ⓘ
Soviet literature ⓘ
Soviet space program ⓘ
language Russian ⓘ
notableWork Aelita (1924 film) ⓘ
linked to: Aelita

Amphibian Man (1962 film) ⓘ
Dead Man’s Letters (1986 film) ⓘ
Kin-dza-dza! (1986 film) ⓘ
linked to: Kin-dza-dza!

Planet of Storms (1962 film) ⓘ
Solaris (1972 film) ⓘ
Stalker (1979 film) ⓘ
productionContext state-controlled film industry ⓘ
typicalTheme alienation and memory ⓘ
environmental catastrophe ⓘ
ethics of scientific progress ⓘ
humanity’s place in the universe ⓘ
totalitarianism and control ⓘ
usesDevice allegory to bypass censorship ⓘ

How these facts were elicited

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Solaris (1972 film) → partOf → Soviet science fiction cinema ⓘ