Negrismo

Target entity: Negrismo
Context triple: [Nicolás Guillén, movement, Negrismo]

• A. The New Negro (anthology)
  The New Negro is a landmark 1925 anthology edited by Alain Locke that helped define and propel the Harlem Renaissance by showcasing the literature, art, and thought of a new generation of Black American creators.
• B. Mulatto
  "Mulatto" is a 1935 play by Langston Hughes that explores race, identity, and family conflict in the Jim Crow American South.
• C. Black America Again
  Black America Again is a socially conscious hip-hop album by Common that addresses systemic racism, black identity, and political resistance in contemporary America.
• D. Negro Life at the South
  "Negro Life at the South" is an 1859 genre painting by American artist Eastman Johnson that depicts the everyday lives of enslaved African Americans in a Washington, D.C. backyard, offering a complex, nuanced view of slavery on the eve of the Civil War.
• E. Harlem Renaissance
  The Harlem Renaissance was a flourishing African American cultural, artistic, and intellectual movement centered in Harlem, New York, during the 1920s and early 1930s.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: Negrismo
Target entity description: Negrismo was an early 20th-century Afro-Caribbean literary and artistic movement that celebrated Black culture, language, and rhythms, particularly in Cuban and broader Hispanic Caribbean contexts.

• A. The New Negro (anthology)
  The New Negro is a landmark 1925 anthology edited by Alain Locke that helped define and propel the Harlem Renaissance by showcasing the literature, art, and thought of a new generation of Black American creators.
• B. Mulatto
  "Mulatto" is a 1935 play by Langston Hughes that explores race, identity, and family conflict in the Jim Crow American South.
• C. Black America Again
  Black America Again is a socially conscious hip-hop album by Common that addresses systemic racism, black identity, and political resistance in contemporary America.
• D. Negro Life at the South
  "Negro Life at the South" is an 1859 genre painting by American artist Eastman Johnson that depicts the everyday lives of enslaved African Americans in a Washington, D.C. backyard, offering a complex, nuanced view of slavery on the eve of the Civil War.
• E. Harlem Renaissance
  The Harlem Renaissance was a flourishing African American cultural, artistic, and intellectual movement centered in Harlem, New York, during the 1920s and early 1930s.
• F. None of above. chosen