L’Œuvre d’art vivant

E656935

L’Œuvre d’art vivant is a seminal theoretical text by stage designer Adolphe Appia that redefines theatrical production through the integration of space, light, movement, and music into a unified living work of art.

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Label Occurrences
L’Œuvre d’art vivant canonical 1

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Statements (38)

Predicate Object
instanceOf book ⓘ
theoretical text ⓘ
work on theatre theory ⓘ
addresses coordination of music and movement ⓘ
relationship between actor and space ⓘ
role of light in dramaturgy ⓘ
advocates dynamic architectural settings ⓘ
light as a plastic medium ⓘ
rhythmic organization of movement ⓘ
aimsTo redefine theatrical production ⓘ
author Adolphe Appia ⓘ
centralIdea synthesis of all stage elements ⓘ
theatre as a living organism ⓘ
countryOfOrigin Switzerland ⓘ
focusesOn integration of space, light, movement, and music ⓘ
genre aesthetic theory ⓘ
theatre theory ⓘ
hasAuthorOccupation stage designer ⓘ
hasTheoreticalApproach anti-naturalistic staging ⓘ
architectonic conception of the stage ⓘ
historicalContext early 20th-century theatre reform ⓘ
influenced 20th-century theatre directors ⓘ
modern stage design ⓘ
influencedBy Richard Wagner ⓘ
keyConcept actor’s movement as structural element ⓘ
expressive use of light ⓘ
three-dimensional stage space ⓘ
unity of music and staging ⓘ
language French ⓘ
mainSubject stage design ⓘ
theatre aesthetics ⓘ
theatrical production ⓘ
opposes purely pictorial scenery ⓘ
proposes unified living work of art ⓘ
recognizedAs foundational text for modern scenography ⓘ
seminal work in theatre theory ⓘ
relatedTo Wagnerian music drama ⓘ
symbolist theatre ⓘ

How these facts were elicited

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Adolphe Appia → theoreticalWork → L’Œuvre d’art vivant ⓘ