Finish Fetish

E614936

Finish Fetish is a Los Angeles–based art movement of the 1960s known for its sleek, glossy surfaces, industrial materials, and meticulous craftsmanship that echo Southern California’s car and surf culture.

All labels observed (1)

Label Occurrences
Finish Fetish canonical 4

How this entity was disambiguated

Statements (47)

Predicate Object
instanceOf art movement ⓘ
basedIn Los Angeles ⓘ
contrastsWith Abstract Expressionism ⓘ
gestural abstraction ⓘ
countryOfOrigin United States ⓘ
emergedInContextOf Southern California industrial design ⓘ
linked to: Southern California

postwar American art ⓘ
focusesOn industrial perfection ⓘ
perception of light ⓘ
surface finish ⓘ
hasAesthetic emphasis on color and reflection ⓘ
emphasis on finish ⓘ
illusion of weightlessness ⓘ
sensuous surfaces ⓘ
hasCharacteristic glossy surfaces ⓘ
industrial materials ⓘ
meticulous craftsmanship ⓘ
sleek surfaces ⓘ
hasInfluenceOn contemporary sculpture ⓘ
design-oriented art practices ⓘ
installation art ⓘ
hasNotableArtist Billy Al Bengston ⓘ
Craig Kauffman ⓘ
De Wain Valentine ⓘ
John McCracken ⓘ
Larry Bell ⓘ
Peter Alexander ⓘ
Ron Davis ⓘ
Valerie Jaudon ⓘ
influencedBy Light and Space movement ⓘ
linked to: Light and Space

Minimalism ⓘ
Op art ⓘ
Southern California car culture ⓘ
Southern California surf culture ⓘ
locatedInTheAdministrativeTerritorialEntity California ⓘ
movementStartTime 1960s ⓘ
partOf West Coast art ⓘ
relatedTo Light and Space ⓘ
Minimal art ⓘ
usesMaterial automotive lacquer ⓘ
cast plastic ⓘ
fiberglass ⓘ
plexiglass ⓘ
polyester resin ⓘ
usesTechnique high-polish finishing ⓘ
industrial fabrication methods ⓘ
spray painting ⓘ

How these facts were elicited

Referenced by (4)

Full triples — surface form annotated when it differs from this entity's canonical label.

Billy Al Bengston → movement → Finish Fetish ⓘ
Billy Al Bengston → artisticStyle → Finish Fetish ⓘ
Light and Space movement → relatedTo → Finish Fetish ⓘ
Light and Space → influencedBy → Finish Fetish ⓘ