The Representation of Chaos

E592906

The Representation of Chaos is the dramatic opening section of Haydn’s oratorio "The Creation," depicting the primordial disorder before the emergence of light and order through striking harmonic and orchestral effects.

All labels observed (1)

Label Occurrences
The Representation of Chaos canonical 3

How this entity was disambiguated

Statements (45)

Predicate Object
instanceOf opening section ⓘ
orchestral introduction ⓘ
associatedWorkPremiere The Creation premiere in 1798 ⓘ
catalogueAssociation Hob. XXI:2 (The Creation) ⓘ
composer Joseph Haydn ⓘ
contrastWith subsequent C major “Let there be light” passage ⓘ
creator Joseph Haydn ⓘ
dateContext late 18th century ⓘ
depicts disorder before Creation ⓘ
primordial chaos ⓘ
functionInOratorio depicts the state of the universe before light ⓘ
prepares the entrance of the chorus ⓘ
genre sacred oratorio music ⓘ
harmonicFeatures dissonant sonorities ⓘ
sudden modulations ⓘ
unconventional progressions ⓘ
historicalPeriod Classical era ⓘ
linked to: Classical period
influencedBy Milton’s Paradise Lost ⓘ
linked to: Paradise Lost

biblical Book of Genesis ⓘ
keyCharacteristics frequent shifts of harmony ⓘ
lack of clear tonal center at opening ⓘ
languageContext German oratorio ⓘ
musicalPurpose evoke uncertainty and formlessness ⓘ
heighten the dramatic impact of the first appearance of light ⓘ
narrativeRole contrast to the subsequent order and light ⓘ
musical depiction of Genesis creation narrative ⓘ
orchestrationFeatures coloristic use of winds ⓘ
dramatic dynamic contrasts ⓘ
expressive string writing ⓘ
full classical orchestra ⓘ
partOf The Creation ⓘ
performanceContext concert performance of The Creation ⓘ
liturgically inspired but not liturgical ⓘ
positionInWork opening ⓘ
precedes “And there was light” ⓘ
reception noted for its daring harmony for its time ⓘ
often cited as an early example of musical depiction of chaos ⓘ
scoreFeatures no text sung during the section ⓘ
orchestral introduction without chorus ⓘ
texture orchestral ⓘ
predominantly homophonic with dramatic contrasts ⓘ
tonalDesign highly chromatic ⓘ
tonally ambiguous ⓘ
typicalDuration approximately 4–6 minutes ⓘ
workType symphonic introduction ⓘ

How these facts were elicited

Referenced by (3)

Full triples — surface form annotated when it differs from this entity's canonical label.

The Creation → notableMovement → The Representation of Chaos ⓘ
subject linked to: Haydn The Creation
The Creation → notableMovement → The Representation of Chaos ⓘ
Hob. XXI:2 → notableMovement → The Representation of Chaos ⓘ