La chanson d’Ève, Op. 95
E583983
La chanson d’Ève, Op. 95 is a song cycle for voice and piano by Gabriel Fauré, setting symbolist poetry that reflects his late, refined harmonic style.
All labels observed (1)
| Label | Occurrences |
|---|---|
| La chanson d’Ève, Op. 95 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T6288496 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: La chanson d’Ève, Op. 95 Context triple: [Gabriel Fauré, notableWork, La chanson d’Ève, Op. 95]
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A.
La bonne chanson, Op. 61
La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
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B.
Soirées musicales, Op. 6
Soirées musicales, Op. 6 is a set of character pieces for piano by Clara Schumann that showcases her early Romantic style and pianistic virtuosity.
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C.
Suite bergamasque
Suite bergamasque is a famous piano suite by Claude Debussy, best known for its lyrical third movement, "Clair de lune."
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D.
The Wild Dove, Op. 110
The Wild Dove, Op. 110 is a symphonic poem by Antonín Dvořák that vividly depicts a dark folk tale of guilt and retribution through richly expressive orchestral writing.
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E.
Genoveva, Op. 81
Genoveva, Op. 81 is Robert Schumann’s only opera, a Romantic work based on the medieval legend of Genevieve of Brabant.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: La chanson d’Ève, Op. 95 Target entity description: La chanson d’Ève, Op. 95 is a song cycle for voice and piano by Gabriel Fauré, setting symbolist poetry that reflects his late, refined harmonic style.
-
A.
La bonne chanson, Op. 61
La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
-
B.
Soirées musicales, Op. 6
Soirées musicales, Op. 6 is a set of character pieces for piano by Clara Schumann that showcases her early Romantic style and pianistic virtuosity.
-
C.
Suite bergamasque
Suite bergamasque is a famous piano suite by Claude Debussy, best known for its lyrical third movement, "Clair de lune."
-
D.
The Wild Dove, Op. 110
The Wild Dove, Op. 110 is a symphonic poem by Antonín Dvořák that vividly depicts a dark folk tale of guilt and retribution through richly expressive orchestral writing.
-
E.
Genoveva, Op. 81
Genoveva, Op. 81 is Robert Schumann’s only opera, a Romantic work based on the medieval legend of Genevieve of Brabant.
- F. None of above. chosen
Statements (39)
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: La chanson d’Ève, Op. 95 Description of subject: La chanson d’Ève, Op. 95 is a song cycle for voice and piano by Gabriel Fauré, setting symbolist poetry that reflects his late, refined harmonic style.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.