Dianne Dwyer Modestini

E566820

Dianne Dwyer Modestini is an American art conservator renowned for her controversial restoration of Leonardo da Vinci’s painting "Salvator Mundi."

All labels observed (1)

Label Occurrences
Dianne Dwyer Modestini canonical 1

How this entity was disambiguated

Statements (36)

Predicate Object
instanceOf American ⓘ
art conservator ⓘ
person ⓘ
activeIn 21st century ⓘ
late 20th century ⓘ
areaOfExpertise cleaning and inpainting of historical artworks ⓘ
technical analysis of paintings ⓘ
associatedWith Leonardo da Vinci scholarship community ⓘ
art market debates about "Salvator Mundi" authenticity ⓘ
contributedTo conservation literature on painting restoration techniques ⓘ
criticizedBy some art historians over extent of restoration on "Salvator Mundi" ⓘ
educatedAt New York University Institute of Fine Arts ⓘ
employer New York University ⓘ
field art conservation ⓘ
painting conservation ⓘ
gender female ⓘ
hasRole restorer of "Salvator Mundi" prior to its record-breaking sale ⓘ
hasTaught graduate students in art conservation ⓘ
hasWorkedOn "Salvator Mundi" by Leonardo da Vinci ⓘ
linked to: Salvator Mundi

Old Master paintings in American collections ⓘ
knownFor controversial restoration of "Salvator Mundi" ⓘ
expertise in Old Master paintings ⓘ
restoration of Leonardo da Vinci’s "Salvator Mundi" ⓘ
languageSpoken English ⓘ
nationality United States of America ⓘ
notableEvent public debate over extent of overpainting in "Salvator Mundi" restoration ⓘ
notableWork technical and aesthetic restoration of "Salvator Mundi" ⓘ
occupation art conservator ⓘ
positionHeld conservation professor at New York University Institute of Fine Arts ⓘ
praisedFor technical skill in conservation of Old Master paintings ⓘ
residence New York City ⓘ
spouse Mario Modestini ⓘ
subjectOf documentaries on the "Salvator Mundi" controversy ⓘ
interviews about the attribution of "Salvator Mundi" to Leonardo da Vinci ⓘ
viewOnSalvatorMundi supports attribution of "Salvator Mundi" to Leonardo da Vinci ⓘ
workInstitution New York University Institute of Fine Arts ⓘ

How these facts were elicited

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Salvator Mundi → restoredBy → Dianne Dwyer Modestini ⓘ