Specific Objects

E517942

"Specific Objects" is a seminal 1965 essay by Donald Judd that articulates the theoretical foundations of Minimalist art by arguing for a new kind of three-dimensional work distinct from traditional painting and sculpture.

All labels observed (1)

Label Occurrences
Specific Objects canonical 4

How this entity was disambiguated

Statements (50)

Predicate Object
instanceOf art theory text ⓘ
essay ⓘ
arguesAgainst traditional painting ⓘ
traditional sculpture ⓘ
associatedMovement Minimalism ⓘ
postminimalism ⓘ
author Donald Judd ⓘ
countryOfOrigin United States ⓘ
criticizes illusionism in painting ⓘ
pictorial depth ⓘ
describes new kind of three-dimensional work ⓘ
describesAs neither painting nor sculpture ⓘ
emphasizes relationship between object and space ⓘ
viewer’s physical experience of the work ⓘ
hasInfluencedField aesthetics ⓘ
art history ⓘ
museum and exhibition practice ⓘ
hasKeyConcept industrial materials in art ⓘ
literal space ⓘ
non-relational composition ⓘ
specific objects ⓘ
three-dimensionality ⓘ
unitary forms ⓘ
hasNotableFigureDiscussed Claes Oldenburg ⓘ
Dan Flavin ⓘ
Frank Stella ⓘ
George Earl Ortman ⓘ
H.C. Westermann ⓘ
Jasper Johns ⓘ
Jean Tinguely ⓘ
John Chamberlain ⓘ
Larry Bell ⓘ
Lee Bontecou ⓘ
Robert Morris ⓘ
Tony Smith ⓘ
Yayoi Kusama ⓘ
Yves Klein ⓘ
influenced Minimalism ⓘ
conceptualizations of sculpture ⓘ
postwar American art criticism ⓘ
language English ⓘ
mainTopic Minimalist art ⓘ
linked to: Minimalism

art criticism ⓘ
modern art theory ⓘ
three-dimensional art ⓘ
publicationYear 1965 ⓘ
publishedIn Arts Yearbook 8 ⓘ
supports emphasis on objecthood ⓘ
rejection of traditional composition ⓘ
use of industrial fabrication in art ⓘ

How these facts were elicited

Referenced by (4)

Full triples — surface form annotated when it differs from this entity's canonical label.

Minimalism → hasKeyText → Specific Objects ⓘ
Donald Judd → notableWork → Specific Objects ⓘ
Donald Judd → authorOf → Specific Objects ⓘ
Donald Judd → notableText → Specific Objects ⓘ
subject linked to: Donald