Extreme Unction (painting by Nicolas Poussin)

E462297

"Extreme Unction" is a 17th-century religious painting by Nicolas Poussin depicting the Catholic sacrament of anointing the dying, created as part of his series on the Seven Sacraments.

All labels observed (1)

Label Occurrences
Extreme Unction (painting by Nicolas Poussin) canonical 2

How this entity was disambiguated

Statements (45)

Predicate Object
instanceOf painting ⓘ
religious painting ⓘ
appliedTo canvas ⓘ
artHistoricalContext French Classicism in Rome ⓘ
artworkSurface canvas ⓘ
basedOn Catholic theology ⓘ
collection National Gallery, London ⓘ
linked to: National Gallery
commissionedBy Cassiano dal Pozzo ⓘ
countryOfOrigin France ⓘ
creator Nicolas Poussin ⓘ
creatorNationality French ⓘ
creatorResidenceAtTimeOfWork Rome ⓘ
depicts Catholic sacrament of Extreme Unction ⓘ
Christian faith in the face of death ⓘ
Christian ritual ⓘ
anointing of the dying ⓘ
dying man ⓘ
interior scene ⓘ
moment of death ⓘ
mourning family ⓘ
priest ⓘ
genre religious art ⓘ
hasPart group of figures around a bed ⓘ
onlookers expressing grief ⓘ
priest anointing the forehead of the dying man ⓘ
inception 1630s ⓘ
circa 1638 ⓘ
languageOfTitle English ⓘ
languageOfWork French ⓘ
location National Gallery, London ⓘ
linked to: National Gallery
locationCity London ⓘ
linked to: London, England
locationCountry United Kingdom ⓘ
mainSubject sacrament of the sick ⓘ
materialUsed oil paint ⓘ
movement Classicism ⓘ
originalTitle L’Extrême-Onction ⓘ
partOf Cassiano dal Pozzo’s commission of the Seven Sacraments ⓘ
partOfSeries Seven Sacraments (first series) ⓘ
period Baroque era ⓘ
linked to: Baroque
religion Catholicism ⓘ
linked to: Roman Catholicism
theme consolation ⓘ
death ⓘ
piety ⓘ
sacrament ⓘ
title Extreme Unction ⓘ

How these facts were elicited

Referenced by (2)

Full triples — surface form annotated when it differs from this entity's canonical label.

The Seven Sacraments → hasPart → Extreme Unction (painting by Nicolas Poussin) ⓘ
Confirmation (painting) → relatedWork → Extreme Unction (painting by Nicolas Poussin) ⓘ