Three Studies for Figures at the Base of a Crucifixion

E443897

Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painting by Francis Bacon that depicts three distorted, screaming figures and is considered a landmark of postwar British art.

All labels observed (1)

How this entity was disambiguated

Statements (46)

Predicate Object
instanceOf painting ⓘ
triptych ⓘ
artHistoricalSignificance breakthrough work for Francis Bacon ⓘ
landmark of postwar British art ⓘ
backgroundColor orange ⓘ
collection Tate ⓘ
completionYear 1944 ⓘ
countryOfOrigin United Kingdom ⓘ
creator Francis Bacon ⓘ
creatorNationality Irish-born British ⓘ
depictionType figurative ⓘ
depicts biomorphic forms ⓘ
distorted figures ⓘ
hybrid creatures ⓘ
screaming figures ⓘ
three figures ⓘ
genre postwar art ⓘ
hasInfluenced contemporary British painting ⓘ
postwar figurative art ⓘ
hasPart central panel ⓘ
left panel ⓘ
right panel ⓘ
inception 1944 ⓘ
inspiredBy Aeschylus ⓘ
Eumenides ⓘ
linked to: The Eumenides

Oresteia ⓘ
languageOfWork English ⓘ
location Tate Britain ⓘ
materialUsed board ⓘ
oil paint ⓘ
movement Expressionism ⓘ
Surrealism ⓘ
postwar British art ⓘ
notableFor disturbing imagery ⓘ
innovative triptych format in modern art ⓘ
intense emotional impact ⓘ
numberOfPanels 3 ⓘ
style distorted anatomy ⓘ
expressionistic brushwork ⓘ
limited color palette ⓘ
subjectMatter anguish ⓘ
figures at the base of a crucifixion ⓘ
religious imagery ⓘ
suffering ⓘ
violence ⓘ
timePeriod World War II era ⓘ

How these facts were elicited

Referenced by (2)

Full triples — surface form annotated when it differs from this entity's canonical label.

Francis Bacon → notableWork → Three Studies for Figures at the Base of a Crucifixion ⓘ
Bacon’s screaming figures → notableWorkExample → Three Studies for Figures at the Base of a Crucifixion ⓘ