“Hoe-Down”

E409005

“Hoe-Down” is the lively, folk-inspired final section of Aaron Copland’s ballet *Rodeo*, famous for its use of American cowboy tunes and energetic rhythms.

All labels observed (2)

Label Occurrences
Hoe-Down 2
“Hoe-Down” canonical 2

How this entity was disambiguated

Statements (48)

Predicate Object
instanceOf ballet movement
concert arrangement
orchestral piece
associatedWith American West
linked to: Old West

cowboy culture
basedOn American cowboy tunes
American folk melodies
choreographerOfOriginalBallet Agnes de Mille
composer Aaron Copland
countryOfOrigin United States
danceTypeReference hoedown
square dance
era 20th-century classical music
genre American classical
ballet music
classical music
hasArrangement concert band arrangement
orchestral suite version from Rodeo
solo piano arrangement
hasRecognition one of Aaron Copland's most popular pieces
influencedBy American folk tradition
cowboy songs
language instrumental
movementNumber 4
notableFeature energetic rhythms
lively dance character
prominent use of brass
prominent use of percussion
syncopated rhythms
notableFor vivid depiction of rural American life
orchestratedBy Aaron Copland
partOf Rodeo
positionInWork final section
premieredAsPartOf Rodeo premiere
premiereWorkPremiereDate 1942-10-16
premiereWorkPremierePlace Metropolitan Opera House, New York City
style American Western
folk-inspired
tempoCharacter fast
typicalInstrumentation brass
full symphony orchestra
percussion
strings
woodwinds
usedIn ballet performances of Rodeo
concert repertoire
pops orchestra programs
workKey tonal with folk modality

How these facts were elicited

Referenced by (4)

Full triples — surface form annotated when it differs from this entity's canonical label.

Rodeo (ballet) hasPart “Hoe-Down”
Rodeo (ballet) notableSection “Hoe-Down”
Rodeo hasPart Hoe-Down
linked to: “Hoe-Down”
Saturday Night Waltz followedByInBallet Hoe-Down
subject linked to: “Saturday Night Waltz”
linked to: “Hoe-Down”