Persephassa
E403360
Persephassa is a landmark 1969 percussion composition by Iannis Xenakis, renowned for its innovative spatialization of six percussionists surrounding the audience.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Persephassa canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T3982695 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Persephassa Context triple: [Iannis Xenakis, notableWork, Persephassa]
-
A.
Euphrosyne
Euphrosyne was a Byzantine empress consort and later nun, known as the daughter of Emperor Constantine VI and for her influential role in the imperial court during the early 9th century.
-
B.
Orthia
Orthia is an epithet of the Greek goddess Artemis associated especially with a fierce, wild aspect of her worship, notably at the sanctuary of Artemis Orthia in Sparta.
-
C.
Polymele
Polymele is a figure in Greek mythology known primarily as the mother of the hero Patroclus.
-
D.
Hypermnestra
Hypermnestra is a figure in Greek mythology, best known as one of the Danaids who spared her husband’s life and was consequently honored for her mercy and piety.
-
E.
Clymene
Clymene is a figure in Greek mythology, often depicted as an Oceanid or Titaness associated with light or fame and known as the wife or consort of the Titan Iapetus.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Persephassa Target entity description: Persephassa is a landmark 1969 percussion composition by Iannis Xenakis, renowned for its innovative spatialization of six percussionists surrounding the audience.
-
A.
Euphrosyne
Euphrosyne was a Byzantine empress consort and later nun, known as the daughter of Emperor Constantine VI and for her influential role in the imperial court during the early 9th century.
-
B.
Orthia
Orthia is an epithet of the Greek goddess Artemis associated especially with a fierce, wild aspect of her worship, notably at the sanctuary of Artemis Orthia in Sparta.
-
C.
Polymele
Polymele is a figure in Greek mythology known primarily as the mother of the hero Patroclus.
-
D.
Hypermnestra
Hypermnestra is a figure in Greek mythology, best known as one of the Danaids who spared her husband’s life and was consequently honored for her mercy and piety.
-
E.
Clymene
Clymene is a figure in Greek mythology, often depicted as an Oceanid or Titaness associated with light or fame and known as the wife or consort of the Titan Iapetus.
- F. None of above. chosen
Statements (29)
| Predicate | Object |
|---|---|
| instanceOf |
musical composition
ⓘ
percussion composition ⓘ |
| approximateDuration | 30 minutes ⓘ |
| commissionedBy | Festival de Shiraz-Persepolis ⓘ |
| commissionedFor |
Shiraz Arts Festival
ⓘ
linked to:
Festival de Shiraz-Persepolis
|
| composer | Iannis Xenakis ⓘ |
| countryOfPremiere | Iran ⓘ |
| dedicatedTo | Les Percussions de Strasbourg ⓘ |
| genre |
avant-garde music
ⓘ
contemporary classical music ⓘ |
| hasRecording | Les Percussions de Strasbourg recording ⓘ |
| influenced | later spatial music for percussion ⓘ |
| instrumentation | six percussionists ⓘ |
| movementOfSound | around the audience ⓘ |
| namedAfter | Persephone ⓘ |
| notableFor |
innovative spatialization of performers
ⓘ
use of six percussionists surrounding the audience ⓘ |
| numberOfPerformers | 6 ⓘ |
| partOfRepertoire | 20th-century percussion ensemble repertoire ⓘ |
| performancePractice | percussionists placed around the audience ⓘ |
| placeOfPremiere | Persepolis ⓘ |
| premiereDate | 1969 ⓘ |
| publisher | Éditions Salabert ⓘ |
| titleLanguage | Greek ⓘ |
| usesTechnique |
complex rhythmic structures
ⓘ
spatialized sound movement ⓘ stochastic processes ⓘ |
| workNumberInComposerOutput | early major percussion work by Iannis Xenakis ⓘ |
| yearOfComposition | 1969 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Persephassa Description of subject: Persephassa is a landmark 1969 percussion composition by Iannis Xenakis, renowned for its innovative spatialization of six percussionists surrounding the audience.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.