Salon of 1850–1851
E343903
The Salon of 1850–1851 was the official Paris art exhibition where many pivotal mid-19th-century works, including major Realist paintings, were first publicly shown and debated.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Salon of 1850–1851 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T3280346 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Salon of 1850–1851 Context triple: [A Burial at Ornans, exhibitionHistory, Salon of 1850–1851]
-
A.
Salon of 1808
The Salon of 1808 was a major Parisian art exhibition under Napoleon’s rule, notable for showcasing grand Neoclassical works that promoted the image and ideology of the French Empire.
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B.
Salon of 1863
The Salon of 1863 was a landmark French art exhibition, known for the controversial "Salon des Refusés" that showcased rejected works like Manet’s "Le Déjeuner sur l’herbe" and helped spark the rise of modern art.
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C.
Salon of 1814
The Salon of 1814 was a major Parisian art exhibition held during the late Napoleonic era, showcasing contemporary French painting and sculpture to the public and the Academy.
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D.
Salon of 1865
The Salon of 1865 was a pivotal Paris art exhibition remembered for debuting Édouard Manet’s controversial works and intensifying the clash between academic tradition and emerging modernist painting.
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E.
Salon of 1819
The Salon of 1819 was the official Paris art exhibition where Théodore Géricault’s controversial masterpiece "The Raft of the Medusa" was first publicly displayed, marking a pivotal moment in French Romantic art.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Salon of 1850–1851 Target entity description: The Salon of 1850–1851 was the official Paris art exhibition where many pivotal mid-19th-century works, including major Realist paintings, were first publicly shown and debated.
-
A.
Salon of 1808
The Salon of 1808 was a major Parisian art exhibition under Napoleon’s rule, notable for showcasing grand Neoclassical works that promoted the image and ideology of the French Empire.
-
B.
Salon of 1863
The Salon of 1863 was a landmark French art exhibition, known for the controversial "Salon des Refusés" that showcased rejected works like Manet’s "Le Déjeuner sur l’herbe" and helped spark the rise of modern art.
-
C.
Salon of 1814
The Salon of 1814 was a major Parisian art exhibition held during the late Napoleonic era, showcasing contemporary French painting and sculpture to the public and the Academy.
-
D.
Salon of 1865
The Salon of 1865 was a pivotal Paris art exhibition remembered for debuting Édouard Manet’s controversial works and intensifying the clash between academic tradition and emerging modernist painting.
-
E.
Salon of 1819
The Salon of 1819 was the official Paris art exhibition where Théodore Géricault’s controversial masterpiece "The Raft of the Medusa" was first publicly displayed, marking a pivotal moment in French Romantic art.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
19th-century art event
ⓘ
Paris Salon ⓘ art exhibition ⓘ |
| artMovementContext |
Realism in France
ⓘ
linked to:
French Realist movement
academic art ⓘ |
| country | France ⓘ |
| criticReception |
attacked as vulgar and anti-ideal by conservative critics
ⓘ
divided critical opinion ⓘ highly controversial ⓘ praised for truth to nature by some critics ⓘ |
| endTime | 1851 ⓘ |
| exhibitedArtist |
Ary Scheffer
ⓘ
Gustave Courbet ⓘ Hippolyte Flandrin ⓘ Honoré Daumier ⓘ Jean-François Millet ⓘ Jean-Léon Gérôme ⓘ Thomas Couture ⓘ |
| exhibitedWork |
A Burial at Ornans
ⓘ
Peasants of Flagey Returning from the Fair ⓘ The Stone Breakers ⓘ |
| exhibitionType | juried art salon ⓘ |
| genreFocus |
Realism
ⓘ
genre painting ⓘ history painting ⓘ landscape painting ⓘ portrait painting ⓘ |
| impactOnArtist |
consolidated Gustave Courbet’s reputation as a leading Realist
ⓘ
helped define the public image of Realist painters ⓘ |
| institutionalRole | official exhibition of the French Academy system ⓘ |
| language | French ⓘ |
| location | Paris ⓘ |
| organizer |
Académie des Beaux-Arts
ⓘ
linked to:
French Académie des Beaux-Arts
French state-sponsored art system ⓘ |
| partOf | history of the Paris Salon ⓘ |
| politicalContext |
Second French Republic
ⓘ
linked to:
French Second Republic
post-1848 revolutionary period ⓘ |
| relatedMovement | rise of avant-garde art in France ⓘ |
| selectionProcess | jury-selected ⓘ |
| significance |
challenged academic hierarchies of subject matter and style
ⓘ
important turning point in 19th-century French art ⓘ major public debut of French Realist painting ⓘ site of intense critical debate about Realism ⓘ |
| startTime | 1850 ⓘ |
| subjectMatterTrend |
contemporary rural life
ⓘ
large-scale depictions of ordinary people ⓘ working-class subjects ⓘ |
| temporalContext | mid-19th century ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Salon of 1850–1851 Description of subject: The Salon of 1850–1851 was the official Paris art exhibition where many pivotal mid-19th-century works, including major Realist paintings, were first publicly shown and debated.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.