Obsession (1976 film) score
E288346
The "Obsession" (1976 film) score is a lush, suspenseful orchestral soundtrack composed by Bernard Herrmann for Brian De Palma’s psychological thriller, noted for its haunting romantic themes and Hitchcockian atmosphere.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Obsession (1976 film) score canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T2668114 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Obsession (1976 film) score Context triple: [Bernard Herrmann, notableWork, Obsession (1976 film) score]
-
A.
Papillon (1973 film score)
Papillon (1973 film score) is a dramatic and atmospheric film soundtrack composed by Jerry Goldsmith for the 1973 prison escape drama "Papillon."
-
B.
What Women Want (film score)
What Women Want (film score) is the original musical soundtrack composed by Alan Silvestri for the 2000 romantic comedy film "What Women Want."
-
C.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
D.
Amarcord (film score)
"Amarcord (film score)" is Nino Rota’s celebrated musical soundtrack for Federico Fellini’s nostalgic 1973 film, blending whimsical themes with bittersweet lyricism.
-
E.
The Robe (film score)
The Robe (film score) is a landmark 1953 orchestral film soundtrack by Alfred Newman, renowned for its lush, dramatic themes and pioneering use of CinemaScope-era widescreen scoring.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Obsession (1976 film) score Target entity description: The "Obsession" (1976 film) score is a lush, suspenseful orchestral soundtrack composed by Bernard Herrmann for Brian De Palma’s psychological thriller, noted for its haunting romantic themes and Hitchcockian atmosphere.
-
A.
Papillon (1973 film score)
Papillon (1973 film score) is a dramatic and atmospheric film soundtrack composed by Jerry Goldsmith for the 1973 prison escape drama "Papillon."
-
B.
What Women Want (film score)
What Women Want (film score) is the original musical soundtrack composed by Alan Silvestri for the 2000 romantic comedy film "What Women Want."
-
C.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
D.
Amarcord (film score)
"Amarcord (film score)" is Nino Rota’s celebrated musical soundtrack for Federico Fellini’s nostalgic 1973 film, blending whimsical themes with bittersweet lyricism.
-
E.
The Robe (film score)
The Robe (film score) is a landmark 1953 orchestral film soundtrack by Alfred Newman, renowned for its lush, dramatic themes and pioneering use of CinemaScope-era widescreen scoring.
- F. None of above. chosen
Statements (43)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack ⓘ |
| associatedWithGenre | psychological thriller ⓘ |
| basedOn | classical Hollywood suspense scoring traditions ⓘ |
| chronologyPosition | one of Bernard Herrmann’s final film scores ⓘ |
| composer | Bernard Herrmann ⓘ |
| composerRole |
Bernard Herrmann composed, orchestrated, and conducted the score
ⓘ
linked to:
Bernard Herrmann
|
| countryOfOrigin |
United States
ⓘ
linked to:
United States of America
|
| criticalReception |
often cited as a late-career highlight for Bernard Herrmann
ⓘ
praised for its lush, emotionally intense writing ⓘ |
| filmDirector | Brian De Palma ⓘ |
| forWork |
Obsession (1976 film)
ⓘ
linked to:
Obsession
|
| genre |
film noir score
ⓘ
orchestral score ⓘ romantic score ⓘ suspense score ⓘ |
| influencedBy | Bernard Herrmann’s earlier collaborations with Alfred Hitchcock ⓘ |
| instrumentation |
brass
ⓘ
full symphony orchestra ⓘ percussion ⓘ pipe organ ⓘ string section ⓘ woodwinds ⓘ |
| language | non-vocal (instrumental) ⓘ |
| mood |
brooding
ⓘ
melancholic ⓘ tense ⓘ |
| notableFor |
echoes of Bernard Herrmann’s work for Alfred Hitchcock
ⓘ
intense emotional underscoring of the film’s romantic obsession theme ⓘ use of organ and strings ⓘ |
| originalMedium | motion picture soundtrack ⓘ |
| partOf |
Bernard Herrmann filmography
ⓘ
linked to:
Bernard Herrmann
|
| recordingFormat | stereo ⓘ |
| releasePeriod | 1970s ⓘ |
| style |
Hitchcockian atmosphere
ⓘ
haunting romantic themes ⓘ lush orchestration ⓘ |
| theme |
guilt and memory
ⓘ
loss and longing ⓘ romantic obsession ⓘ |
| usedFor |
building suspense in Obsession (1976 film)
ⓘ
enhancing psychological tension in Obsession (1976 film) ⓘ underscoring romantic sequences in Obsession (1976 film) ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Obsession (1976 film) score Description of subject: The "Obsession" (1976 film) score is a lush, suspenseful orchestral soundtrack composed by Bernard Herrmann for Brian De Palma’s psychological thriller, noted for its haunting romantic themes and Hitchcockian atmosphere.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.