1939 Lincoln Memorial concert

E186149

The 1939 Lincoln Memorial concert was a historic open-air performance by contralto Marian Anderson on the steps of the Lincoln Memorial in Washington, D.C., symbolizing a powerful protest against racial segregation in the arts.

All labels observed (1)

Label Occurrences
1939 Lincoln Memorial concert canonical 1

How this entity was disambiguated

Statements (48)

Predicate Object
instanceOf civil rights protest ⓘ
concert ⓘ
historical event ⓘ
approximateDuration about 30 minutes ⓘ
associatedWith NAACP ⓘ
New Deal era civil rights initiatives ⓘ
attendedBy integrated audience ⓘ
audienceComposition people of diverse races ⓘ
audienceSize approximately 75000 people ⓘ
broadcastBy CBS ⓘ
NBC ⓘ
broadcastOn radio ⓘ
commemorates Abraham Lincoln ⓘ
country United States ⓘ
date 1939-04-09 ⓘ
day Easter Sunday ⓘ
featuredGenre African American spirituals ⓘ
classical music ⓘ
hasParticipant Eleanor Roosevelt ⓘ
Harold L. Ickes ⓘ
Marian Anderson ⓘ
impact increased national attention to racial discrimination in the arts ⓘ
influenced later civil rights demonstrations at the Lincoln Memorial ⓘ
use of national monuments as stages for protest ⓘ
introducedBy Harold L. Ickes ⓘ
legacy iconic moment in American civil rights history ⓘ
location Lincoln Memorial ⓘ
Washington, D.C. ⓘ
notableAspect federal government support for an African American artist’s public performance ⓘ
open-air performance on the National Mall ⓘ
notableSongPerformed Ave Maria ⓘ
My Country, ’Tis of Thee ⓘ
spirituals ⓘ
opposedBy Daughters of the American Revolution ⓘ
organizer Howard University ⓘ
performer Marian Anderson ⓘ
politicalContext Jim Crow segregation in the United States ⓘ
linked to: Jim Crow laws
precededBy refusal of Constitution Hall booking for Marian Anderson ⓘ
reason denial of Marian Anderson’s performance at Constitution Hall ⓘ
subjectOf historical scholarship on civil rights ⓘ
newsreel coverage ⓘ
photographs by news agencies ⓘ
supportedBy Eleanor Roosevelt ⓘ
Harold L. Ickes ⓘ
symbolizes protest against racial segregation in the arts ⓘ
struggle for African American civil rights ⓘ
tookPlaceOnStepsOf Lincoln Memorial ⓘ
viewedAs turning point in public performance desegregation ⓘ

How these facts were elicited

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Marian Anderson → notableWork → 1939 Lincoln Memorial concert ⓘ