Cantiones Sacrae (1575)
E1585363
UNEXPLORED
Cantiones Sacrae (1575) is a landmark collection of Latin motets by William Byrd (with contributions by Thomas Tallis), notable as one of the earliest major publications of English Renaissance sacred music.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Cantiones Sacrae (1575) canonical | 1 |
| Cantiones Sacrae (1591) | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T23420580 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Cantiones Sacrae (1575) Context triple: [William Byrd, notableWork, Cantiones Sacrae (1575)]
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A.
First Set of Madrigals and Mottets of 5 Parts
First Set of Madrigals and Mottets of 5 Parts is a 1612 collection of five-part vocal pieces by English Renaissance composer Orlando Gibbons, showcasing his mastery of both secular madrigals and sacred motets.
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B.
Symphoniae sacrae I
Symphoniae sacrae I is a collection of early 17th-century sacred concertos by German composer Heinrich Schütz that helped shape the development of Protestant church music.
-
C.
Symphoniae sacrae
Symphoniae sacrae is a collection of sacred vocal compositions by German Baroque composer Heinrich Schütz that showcases his innovative blending of Italian concertato style with German liturgical music.
-
D.
Collegium Regale (Magnificat and Nunc dimittis in D)
Collegium Regale (Magnificat and Nunc dimittis in D) is a celebrated choral setting of the Anglican evening canticles composed by Herbert Howells for the choir of King’s College, Cambridge.
-
E.
Madrigali a 6 voci
Madrigali a 6 voci is a collection of six-voice madrigals by early Baroque composer Salamone Rossi, showcasing his innovative polyphonic and expressive vocal writing.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Cantiones Sacrae (1575) Target entity description: Cantiones Sacrae (1575) is a landmark collection of Latin motets by William Byrd (with contributions by Thomas Tallis), notable as one of the earliest major publications of English Renaissance sacred music.
-
A.
First Set of Madrigals and Mottets of 5 Parts
First Set of Madrigals and Mottets of 5 Parts is a 1612 collection of five-part vocal pieces by English Renaissance composer Orlando Gibbons, showcasing his mastery of both secular madrigals and sacred motets.
-
B.
Symphoniae sacrae I
Symphoniae sacrae I is a collection of early 17th-century sacred concertos by German composer Heinrich Schütz that helped shape the development of Protestant church music.
-
C.
Symphoniae sacrae
Symphoniae sacrae is a collection of sacred vocal compositions by German Baroque composer Heinrich Schütz that showcases his innovative blending of Italian concertato style with German liturgical music.
-
D.
Collegium Regale (Magnificat and Nunc dimittis in D)
Collegium Regale (Magnificat and Nunc dimittis in D) is a celebrated choral setting of the Anglican evening canticles composed by Herbert Howells for the choir of King’s College, Cambridge.
-
E.
Madrigali a 6 voci
Madrigali a 6 voci is a collection of six-voice madrigals by early Baroque composer Salamone Rossi, showcasing his innovative polyphonic and expressive vocal writing.
- F. None of above. chosen
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.
linked to: Cantiones Sacrae (1575)