Leonardo da Vinci: Painter at the Court of Milan
E1517071
UNEXPLORED
"Leonardo da Vinci: Painter at the Court of Milan" is a major 2011–2012 National Gallery, London exhibition that focused on Leonardo’s artistic output and activity during his years working for the Sforza court in Milan.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Leonardo da Vinci: Painter at the Court of Milan canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T22059802 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Leonardo da Vinci: Painter at the Court of Milan Context triple: [2011–2012 Leonardo da Vinci exhibition at the National Gallery, London, title, Leonardo da Vinci: Painter at the Court of Milan]
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A.
Lorenzo the Magnificent’s circle
Lorenzo the Magnificent’s circle was a group of influential humanists, artists, and intellectuals in late 15th-century Florence who fostered and patronized Renaissance art and culture around Lorenzo de’ Medici’s court.
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B.
Lives of the Most Excellent Painters, Sculptors, and Architects
Lives of the Most Excellent Painters, Sculptors, and Architects is a seminal 16th-century collection of artist biographies by Giorgio Vasari that is often considered the foundational text of art history and Renaissance art criticism.
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C.
The Death of Leonardo da Vinci in the Arms of Francis I
The Death of Leonardo da Vinci in the Arms of Francis I is a 19th-century historical painting by Alexandre-Évariste Fragonard depicting the legendary final moments of the Renaissance master Leonardo da Vinci cradled by the French king Francis I.
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D.
The Life of Lorenzo de’ Medici, Called the Magnificent
The Life of Lorenzo de’ Medici, Called the Magnificent is a seminal late-18th-century biographical and historical study of the Florentine statesman and Renaissance patron Lorenzo de’ Medici, written by English historian William Roscoe.
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E.
La Pittura
La Pittura is a renowned self-portrait by Baroque artist Artemisia Gentileschi in which she personifies the abstract concept of Painting itself.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Leonardo da Vinci: Painter at the Court of Milan Target entity description: "Leonardo da Vinci: Painter at the Court of Milan" is a major 2011–2012 National Gallery, London exhibition that focused on Leonardo’s artistic output and activity during his years working for the Sforza court in Milan.
-
A.
Lorenzo the Magnificent’s circle
Lorenzo the Magnificent’s circle was a group of influential humanists, artists, and intellectuals in late 15th-century Florence who fostered and patronized Renaissance art and culture around Lorenzo de’ Medici’s court.
-
B.
Lives of the Most Excellent Painters, Sculptors, and Architects
Lives of the Most Excellent Painters, Sculptors, and Architects is a seminal 16th-century collection of artist biographies by Giorgio Vasari that is often considered the foundational text of art history and Renaissance art criticism.
-
C.
The Death of Leonardo da Vinci in the Arms of Francis I
The Death of Leonardo da Vinci in the Arms of Francis I is a 19th-century historical painting by Alexandre-Évariste Fragonard depicting the legendary final moments of the Renaissance master Leonardo da Vinci cradled by the French king Francis I.
-
D.
The Life of Lorenzo de’ Medici, Called the Magnificent
The Life of Lorenzo de’ Medici, Called the Magnificent is a seminal late-18th-century biographical and historical study of the Florentine statesman and Renaissance patron Lorenzo de’ Medici, written by English historian William Roscoe.
-
E.
La Pittura
La Pittura is a renowned self-portrait by Baroque artist Artemisia Gentileschi in which she personifies the abstract concept of Painting itself.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.
2011–2012 Leonardo da Vinci exhibition at the National Gallery, London
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title
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Leonardo da Vinci: Painter at the Court of Milan
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