New Realists exhibition (1962)

Target entity: New Realists exhibition (1962)
Context triple: [Sidney Janis Gallery, organizedExhibition, New Realists exhibition (1962)]

• A. New Documents (Museum of Modern Art, 1967)
  New Documents (Museum of Modern Art, 1967) was a landmark photography exhibition at MoMA that introduced a new, more personal and observational documentary style through the work of Lee Friedlander, Garry Winogrand, and Diane Arbus.
• B. Jackson Pollock retrospective 1958
  The Jackson Pollock retrospective of 1958 was a major posthumous exhibition that showcased the influential American abstract expressionist’s work to a British and European audience, helping to cement his international reputation.
• C. Cubism and Abstract Art (1936 exhibition)
  Cubism and Abstract Art (1936 exhibition) was a landmark 1936 Museum of Modern Art show curated by Alfred H. Barr Jr. that traced the development of modern art from Cubism to various abstract movements and helped define the canon of modernism.
• D. Exposition Internationale du Surréalisme
  Exposition Internationale du Surréalisme was a landmark 1938 Paris exhibition that dramatically showcased Surrealist art and ideas through immersive, dreamlike installations and performances.
• E. The School of New York (1951 exhibition)
  The School of New York (1951 exhibition) was a landmark 1951 show, curated by Robert Motherwell, that helped define and promote the emerging Abstract Expressionist movement in New York.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: New Realists exhibition (1962)
Target entity description: The New Realists exhibition (1962) was a landmark New York art show that introduced American audiences to European Nouveau Réalisme and emerging Pop Art, significantly shaping the course of postwar avant-garde art.

• A. New Documents (Museum of Modern Art, 1967)
  New Documents (Museum of Modern Art, 1967) was a landmark photography exhibition at MoMA that introduced a new, more personal and observational documentary style through the work of Lee Friedlander, Garry Winogrand, and Diane Arbus.
• B. Jackson Pollock retrospective 1958
  The Jackson Pollock retrospective of 1958 was a major posthumous exhibition that showcased the influential American abstract expressionist’s work to a British and European audience, helping to cement his international reputation.
• C. Cubism and Abstract Art (1936 exhibition)
  Cubism and Abstract Art (1936 exhibition) was a landmark 1936 Museum of Modern Art show curated by Alfred H. Barr Jr. that traced the development of modern art from Cubism to various abstract movements and helped define the canon of modernism.
• D. Exposition Internationale du Surréalisme
  Exposition Internationale du Surréalisme was a landmark 1938 Paris exhibition that dramatically showcased Surrealist art and ideas through immersive, dreamlike installations and performances.
• E. The School of New York (1951 exhibition)
  The School of New York (1951 exhibition) was a landmark 1951 show, curated by Robert Motherwell, that helped define and promote the emerging Abstract Expressionist movement in New York.
• F. None of above. chosen