The Man Who Came Back (play)
E1316704
UNEXPLORED
The Man Who Came Back is a stage play best known as the source material for the 1924 film adaptation of the same name.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Man Who Came Back (play) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T18289734 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Man Who Came Back (play) Context triple: [The Man Who Came Back (1924 film), basedOn, The Man Who Came Back (play)]
-
A.
Remains to Be Seen (play)
Remains to Be Seen is a mid-20th-century Broadway comedy play co-written by Howard Lindsay that blends murder mystery elements with lighthearted, sophisticated humor.
-
B.
The Bad Man (play)
The Bad Man (play) is a 1920 stage comedy-drama by Porter Emerson Browne about a notorious Mexican bandit whose antics upend the lives of ranchers on the U.S.–Mexico border and which inspired multiple film adaptations.
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C.
The Sign on the Door (play)
The Sign on the Door is a 1919 stage drama by American playwright Marion Fairfax, best known for its suspenseful plot involving secrets, blackmail, and moral dilemmas.
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D.
The Women (play)
The Women is a 1936 satirical comedy play by Clare Boothe Luce that portrays the lives, rivalries, and romantic entanglements of a group of wealthy New York women, notable for its all-female cast.
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E.
The Enemy (play)
The Enemy is a 1925 anti-war stage play by Channing Pollock that explores the human cost of World War I through the intertwined lives of families on opposing sides of the conflict.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Man Who Came Back (play) Target entity description: The Man Who Came Back is a stage play best known as the source material for the 1924 film adaptation of the same name.
-
A.
Remains to Be Seen (play)
Remains to Be Seen is a mid-20th-century Broadway comedy play co-written by Howard Lindsay that blends murder mystery elements with lighthearted, sophisticated humor.
-
B.
The Bad Man (play)
The Bad Man (play) is a 1920 stage comedy-drama by Porter Emerson Browne about a notorious Mexican bandit whose antics upend the lives of ranchers on the U.S.–Mexico border and which inspired multiple film adaptations.
-
C.
The Sign on the Door (play)
The Sign on the Door is a 1919 stage drama by American playwright Marion Fairfax, best known for its suspenseful plot involving secrets, blackmail, and moral dilemmas.
-
D.
The Women (play)
The Women is a 1936 satirical comedy play by Clare Boothe Luce that portrays the lives, rivalries, and romantic entanglements of a group of wealthy New York women, notable for its all-female cast.
-
E.
The Enemy (play)
The Enemy is a 1925 anti-war stage play by Channing Pollock that explores the human cost of World War I through the intertwined lives of families on opposing sides of the conflict.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.