Fantastic Art, Dada, Surrealism (1936–1937 exhibition)
E1301577
UNEXPLORED
Fantastic Art, Dada, Surrealism (1936–1937 exhibition) was a landmark Museum of Modern Art show that traced the development of irrational, dreamlike, and anti-rational tendencies in modern art, helping to define and popularize Surrealism and related movements for an American audience.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Fantastic Art, Dada, Surrealism (1936–1937 exhibition) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T18020671 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Fantastic Art, Dada, Surrealism (1936–1937 exhibition) Context triple: [Alfred H. Barr Jr., notableWork, Fantastic Art, Dada, Surrealism (1936–1937 exhibition)]
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A.
Exposition Internationale du Surréalisme
Exposition Internationale du Surréalisme was a landmark 1938 Paris exhibition that dramatically showcased Surrealist art and ideas through immersive, dreamlike installations and performances.
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B.
Dada Panorama
Dada Panorama is a major photomontage artwork by German Dada artist Hannah Höch, exemplifying her experimental collage techniques and critical engagement with Weimar-era culture.
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C.
Week of Modern Art
The Week of Modern Art was a landmark 1922 cultural festival in São Paulo that revolutionized Brazilian literature, visual arts, and music by introducing and consolidating modernist ideas.
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D.
Society of Independent Artists exhibition (1917)
The Society of Independent Artists exhibition (1917) was a landmark New York art show known for its radical open-submission policy and for controversially rejecting Marcel Duchamp’s submitted urinal artwork, later titled "Fountain."
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E.
Armory Show
The Armory Show was a groundbreaking 1913 modern art exhibition in New York that introduced American audiences to European avant-garde movements such as Cubism and Fauvism, radically transforming the course of American art.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Fantastic Art, Dada, Surrealism (1936–1937 exhibition) Target entity description: Fantastic Art, Dada, Surrealism (1936–1937 exhibition) was a landmark Museum of Modern Art show that traced the development of irrational, dreamlike, and anti-rational tendencies in modern art, helping to define and popularize Surrealism and related movements for an American audience.
-
A.
Exposition Internationale du Surréalisme
Exposition Internationale du Surréalisme was a landmark 1938 Paris exhibition that dramatically showcased Surrealist art and ideas through immersive, dreamlike installations and performances.
-
B.
Dada Panorama
Dada Panorama is a major photomontage artwork by German Dada artist Hannah Höch, exemplifying her experimental collage techniques and critical engagement with Weimar-era culture.
-
C.
Week of Modern Art
The Week of Modern Art was a landmark 1922 cultural festival in São Paulo that revolutionized Brazilian literature, visual arts, and music by introducing and consolidating modernist ideas.
-
D.
Society of Independent Artists exhibition (1917)
The Society of Independent Artists exhibition (1917) was a landmark New York art show known for its radical open-submission policy and for controversially rejecting Marcel Duchamp’s submitted urinal artwork, later titled "Fountain."
-
E.
Armory Show
The Armory Show was a groundbreaking 1913 modern art exhibition in New York that introduced American audiences to European avant-garde movements such as Cubism and Fauvism, radically transforming the course of American art.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.