Art for Art’s Sake

Target entity: Art for Art’s Sake
Context triple: [The Cradle Will Rock, hasNotableSong, Art for Art’s Sake]

• A. Aestheticism
  Aestheticism was a late 19th-century artistic and literary movement that championed beauty, sensory experience, and “art for art’s sake” over moral or social themes.
• B. Les Nabis
  Les Nabis were a late 19th-century group of French avant-garde artists who sought to synthesize symbolism, decorative art, and spiritual themes into a new, modern visual language.
• C. Essais sur l’art
  Essais sur l’art is a collection of critical writings on art by French Post-Impressionist painter and theorist Émile Bernard, reflecting his aesthetic ideas and debates with contemporaries like Gauguin and Cézanne.
• D. Les Traditions de l’art
  Les Traditions de l’art is a theoretical and critical work by French Post-Impressionist painter Émile Bernard, in which he reflects on the history, principles, and spiritual dimensions of artistic tradition.
• E. Barbizon school
  The Barbizon school was a mid-19th-century French art movement centered on naturalistic landscape painting and rural life, which helped pave the way for Impressionism.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: Art for Art’s Sake
Target entity description: "Art for Art’s Sake" is a notable musical number from Marc Blitzstein’s 1937 pro-labor musical "The Cradle Will Rock," reflecting its satirical and socially critical themes.

• A. Aestheticism
  Aestheticism was a late 19th-century artistic and literary movement that championed beauty, sensory experience, and “art for art’s sake” over moral or social themes.
• B. Les Nabis
  Les Nabis were a late 19th-century group of French avant-garde artists who sought to synthesize symbolism, decorative art, and spiritual themes into a new, modern visual language.
• C. Essais sur l’art
  Essais sur l’art is a collection of critical writings on art by French Post-Impressionist painter and theorist Émile Bernard, reflecting his aesthetic ideas and debates with contemporaries like Gauguin and Cézanne.
• D. Les Traditions de l’art
  Les Traditions de l’art is a theoretical and critical work by French Post-Impressionist painter Émile Bernard, in which he reflects on the history, principles, and spiritual dimensions of artistic tradition.
• E. Barbizon school
  The Barbizon school was a mid-19th-century French art movement centered on naturalistic landscape painting and rural life, which helped pave the way for Impressionism.
• F. None of above. chosen